Posts Tagged: sexism
Mine wears short shorts while he jogs, with a baseball cap over his baldness, and no shirt.
His comes home from work and changes into a full gray sweatsuit, then sits at the head of the kitchen table to relax by eating a block of cheddar cheese....more
I have existed from the morning of the world and I shall exist until the last star falls from the night –Roman emperor Gaius Caligula (AD 12–AD 41).
Part of the beauty of me is that I am very rich. –Donald Trump
Following last week’s election results, the writing world has been full of voices reminding us of the power of words to protest, to heighten awareness, and to effect change. Whether through poetry, essay, memoir, fiction, or otherwise, words are an important vehicle for reaching those who need support, challenging those who need to be called out, bearing witness to injustice, and raising visibility of marginalized groups....more
Eighty years ago, Wash Jones appeared as a minor character in William Faulkner’s masterpiece on American identity and self-invention, Absalom, Absalom! From a craft perspective Jones was put in for a purpose: to demonstrate the role that white working-class men played in maintaining white supremacy among the wealthiest people in America before the Civil War, the Southern plantation class....more
Why are we afraid? Because in the two days since the election was called, there have been numerous accounts of harassment and violence, motivated by racism, homophobia, and sexism. These events are happening all over the country, in liberal cities and in rural towns....more
There’s something very unsettling about the idea of editing someone’s personal and autobiographical journal. After all, it’s supposed to be a portal into the past: Anne’s experience in the annex, exactly what happened exactly as it happened.
At The Establishment, Stephanie Watson makes the case for buying only the unabridged version of Anne Frank’s Diary—the version we’re all familiar with was sanitized of all passages about her sexuality and other gender-specific topics....more
This week, we all need a story with heart and teeth, a story that celebrates the glittering intelligence of women and the power of female friendship and dismantles the patriarchy while also being laugh-out-loud funny, a story with a happy ending....more
“Funny Women” submissions don’t read themselves. Most of the time Assistant Regional Funny Woman Katie Burgess reads them (she wrote the infinitely funny “How to Read a Poem,” anthologized in Oxford University Press’s Humor: A Reader for Writers, and has since gone on to read slush)....more
When The Bennington Review re-launched this past April after thirty years, its first issue packed a table of contents studded with prize-winning authors and exciting emerging voices. This week, to our good fortune, the biannual print publication has made several of its pieces available online, among them new short fiction from Iranian-American writer Porochista Khakpour, author of the acclaimed novels The Last Illusion and Sons and Other Flammable Objects....more
For Lit Hub, book designer Jennifer Heuer reflects on sexism in publishing and analyzes “chick-lit” book covers that rely on gender stereotypes to target female readers:
The bigger discussion is the genre itself: light-weight novels aimed at a female audience is a symptom of sexism in publishing.
Women writing about women is popular right now in the publishing world—like Emma Cline, who recently released The Girls. USA Today runs through the many books about women, by women. But despite the rising popularity of these authors and the prominence of women within the publishing industry, top jobs are still held by men....more
Supposedly “unlikable” female characters are often the most complex, humanly flawed, and interesting ones—yet many readers are perturbed by such representations of women. In an excerpt from her collection The Geek Feminist Revolution, Kameron Hurley muses on the reasons why female protagonists are uniquely expected to be likable:
When you find yourself reading about a gun-slinging, whisky-drinking, Mad Max apocalypse hero who you’d love if it was a guy but find profoundly uncomfortable to read about when you learn it’s a woman, take a step back and ask why that is.
Is it possible to separate Knausgaard the author from Knausgaard the protagonist? At the New Republic, Tess Crain asks this question, taking a look at the series from a woman’s point of view. By her estimation, Volume 5, just out in English, explains some of Knausgaard’s problematic views on women by framing him as “a man of God”:
…what makes My Struggle so upsetting to a female reader is also exactly what may redeem it: Sex and souls are separate.