Posts Tagged: Shakespeare
Patrick Madden teaches writing at Brigham Young University and is the author of the essay collection Quotidiana. His essays frequently appear in literary magazines and have been featured in The Best Creative Nonfiction and The Best American Spiritual Writing anthologies....more
A self-described “actor’s director,” James Steven Sadwith has been writing, directing, and producing television movies, miniseries, and dramas for nearly three decades—and is perhaps best known for his work on the lives of Frank Sinatra and Elvis. But for Coming through the Rye, his first feature film for the big screen, Sadwith comes closer to home, chronicling in fictional form the journey he himself embarked upon as a youth....more
Boston Public Library aims to cut through 400 years of literary analysis and explore the pages of Shakespeare’s original writings, including some of his most famous works.
The Boston Public Library has a new exhibition, “Shakespeare Unauthorized,” which features four Shakespearean folios and other artifacts, Talia Avakian reports for Travel + Leisure....more
The concepts of genius and IQ have long been instruments of cultural and economic control. For Slate, Dana Goldstein examines how Donald Trump has bought into these ideas:
Trump’s adoration of IQ testing recalls an especially disturbing period in the history of genius: the late 19th and early 20th century, when social scientists attempted to measure and compare people’s intelligence.
For the Guardian, Alison Flood writes on the bias of the Oxford English Dictionary towards “famous literary examples” instead of the actual origin, resulting in the incorrect attribution of several still-used words and phrases to Shakespeare. Flood writes that there are multitudes of evidence showing earlier usages of phrases such as “wild goose chase” and “it’s Greek to me,” citing Shakespearean scholar Dr....more
At Guernica, Tana Wojcznick unpacks Shakespeare’s lesser-known and often-misread play, Coriolanus, to bring us s its timely political warning about populism and democracy:
It’s no accident that Coriolanus is not a favorite in America, where it’s rarely included in the mini-canon of plays each generation tends to play and re-play (such as King Lear today or Romeo and Juliet in the 1990’s).
At Lit Hub, Dr. Fay Bound Alberti shares an excerpt of her new book, This Mortal Coil: The Human Body in History and Culture, exploring the cultural understandings and depictions of female genitalia from Shakespeare’s “No thing” to Jamie McCartney’s The Great Wall of Vagina, and how those understandings are influenced by culture and vice versa....more
At Guernica, Tana Wojczuk shares her personal story of seeing Shakespeare performed as a child and her eventual realization and understanding of Shakespeare’s humor, and defends the importance of seeing Shakespeare’s works on stage:
This is one of the reasons it was important to see Shakespeare performed, and not just to read him.
Shakespeare’s texts are anything but stagnant, often taking on new meanings depending on the context in which they’re experienced. In an excerpt from The Maximum Security Book Club, Mikita Brottman describes her experience of teaching Shakespeare in a maximum security prison:
I like to stay open to misreadings.
The canon is what it is, and anyone who wishes to understand how it continues to flow forward needs to learn to swim around in it.
Responding to Yale students’ protesting the English department’s course requirements, Slate’s Katy Waldman argues that English majors should still have to read the “sexist, racist, colonialist, and totally gross” canon of English literature, in addition to a broader range of perspectives....more
This past weekend, thousands of people convened to celebrate the 400th anniversary of Shakespeare’s death. The Elizabethan bard’s formal innovations are widely revered as some of the most influential literary developments in history, so much so that we almost overlook what he was even writing about:
…for Shakespeare, life itself is a type of lie.
Allison Meier writes at Hyperallergic on a speech, recently digitized by the British Library, that proves to be the only example of Shakespeare’s handwriting other than a few signatures. The excerpt comes from Sir Thomas More, a play written in collaboration, wherein the title character asks for sympathy for migrants, driven from their homes and countries....more
The Public Domain Review examines the work of Elizabethan writer Robert Greene, the original Bohemian, and the first known reviewer of William Shakespeare:
Greene’s chief target was “an upstart Crow,” who “supposes he is as well able to bombast out a blank verse as the best of you”…He has a “tiger’s heart, wrapped in a player’s hyde”, unable to fully escape the stigma of first playing on the stage before he would write for it.