Posts Tagged: Sheila Heti
Check out highlights from a conversation between Sheila Heti and Karl Ove Knausgaard at the Chicago Review of Books that range from the question of whether real literature must “burn” to be written, to why there’s no therapy in My Struggle....more
Editing. It’s the most reviled step of the writing process. It’s where we do the backbreaking work of word-weeding, where we must dissociate from ourselves enough to see our work objectively, where we’re forced to kill our darlings. It’s the dark place between writing and publication, mostly characterized by bloodshot eyes and crippling doubt....more
And I just thought, “I have to teach myself how to write in a new way.” … I just wanted so badly to figure this out, to figure out how to write.
As part of the Paris Review’s “My First Time” series, the lovely and ingenious Sheila Heti reflects on becoming a writer, learning the writing process, and inventing selves....more
Over at the Paris Review, in an interview with Leanne Shapton, Julavits answers each question with an eBay auction listing. What listing would you choose to answer the query, “What sort of highly valuable or beloved object would you feed to a shark to save your life?” Hopefully not your copy of Women in Clothes, coedited by Shapton, Julavits, and Sheila Heti....more
Karl Ove Knausgaard, the handsome Norwegian writer, is traveling through the U.S. giving talks and readings and interviews. It’s as good a time as any to start reading his 6-part autobiography, My Struggle, especially if you are a writer. As the New York Times reports, Knausgaard’s American counterparts are all raving about this writer—Jeffrey Eugenides, Lorin Stein, Sheila Heti, Zadie Smith, and others are caught up in the brilliance of Knausgaard:
Why has My Struggle so excited the literary world?
“Why are you so interested in MFAs and whether they’re a good idea or not?” asked Rumpus friend Sheila Heti, in a recent interview with the New Yorker. Heti, who did not attend grad school, believes that it is possible for writers to fully immerse themselves in their craft without the help of a program....more
If you like Timothy Leo Taranto’s literary puns here on the Rumpus, you’ll also enjoy these Halloween-themed literary puns over at Vol. 1 Brooklyn.
Written and illustrated by Rumpus contributor Lincoln Michel, they turn your favorite authors into scary monsters, including Louise Eldritch and Sheila Yeti (author, it goes without saying, of How Should A Cryptid Be?...more
At The New Yorker, Anna Holmes writes about how “Girls” and Sheila Heti’s new novel How Should a Person Be? “treat heterosexual coupling as secondary, and how they depict the profundity of female friendships, not to mention their real perils—which are quite different from the competitive jockeying that is so often imagined.”
Holmes proposes that these texts may signify “the beginnings, perhaps, of a revolution in the way women’s relationships are discussed.”...more
The second time I meet Sheila Heti I’m standing outside the gated front yard of her home on a cold, sunny day in Toronto.
The overgrowth and general unkemptness of the corner lot puts it a far cry from what can accurately be described as a garden, though invested in it is still the imagination and care of a space that is tended to; the tail of an overturned porcelain cat pokes up among stiff grass folded the wrong way....more