Posts Tagged: short stories

This Week in Short Fiction

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This week (or month) in short fiction (and poetry), it’s National Translation Month! Each September, the National Translation Month (NTM) initiative, started in 2013, celebrates literary works in translation and promotes cross-cultural readership with offerings of exciting new translations on its website.

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The Rumpus Interview with Rachel Hall

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Rachel Hall discusses her debut collection Heirlooms, her mother’s experience growing up in a French Jewish family during World War II, and crossing genre borders in her writing. ...more

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The Rumpus Interview with Maryse Meijer

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Maryse Meijer discusses her debut collection Heartbreaker, the importance of tension in writing, revision as a shield against criticism, and life as a twin. ...more

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The Sunday Rumpus Interview: Anne Raeff

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Married authors Anne Raeff and Lori Ostlund, both winners of the Flannery O’Connor Award for Short Fiction, discuss their craft, their process, and the way they negotiate the give and take involved in sharing a vocation. ...more

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The Rumpus Interview with Paula Whyman

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Paula Whyman discusses her debut collection You May See a Stranger, discovering truth in fiction, and how memory interferes with good storytelling. ...more

This Week in Short Fiction

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For a story in a different medium this week, check out Amber Sparks’s “Thirteen Ways to Destroy a Painting” from this year’s The Unfinished World—adapted to a radio play. It’s brought to your ears by NPR’s truly excellent storytelling podcast Snap Judgment and read by Thao Nguyen of the San Francisco-based folk-rock group Thao and The Get Down Stay Down.

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The Rumpus Interview with Robin MacArthur

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Robin MacArthur discusses her debut story collection Half Wild, life in rural Vermont, and how narrative—and fiction—is key to reaching across what divides us. ...more

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The Saturday Rumpus Interview with Ramona Ausubel

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I find tremendous hope in the act of storytelling—the way we can redirect energy, to reclaim history, to build back lives that have been otherwise upset. ...more

This Week in Short Fiction

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When The Bennington Review re-launched this past April after thirty years, its first issue packed a table of contents studded with prize-winning authors and exciting emerging voices. This week, to our good fortune, the biannual print publication has made several of its pieces available online, among them new short fiction from Iranian-American writer Porochista Khakpour, author of the acclaimed novels The Last Illusion and Sons and Other Flammable Objects.

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Rumpus Original Fiction: Mandarin Imperial

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Growing up, I understood my father through observation, and I suspect that he understood me much the same way. I liked to think our love was purer that way. Like two stray dogs who found each other and are blessed enough to just get along. ...more

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The Rumpus Book Club Chat with Rion Amilcar Scott

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Rion Amilcar Scott discusses his new collection Insurrections, creating a fictional town, and the pressure to make religious decisions during puberty. ...more

This Week in Short Fiction

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Rion Amilcar Scott’s debut collection Insurrections—our July Rumpus Book Club pick—comes out from University Press of Kentucky on Tuesday and is a timely and vital look into the daily struggles of individuals in the mostly black community of Cross River, Maryland, a fictional town that was founded by slaves in 1807 after a successful revolt.

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This Week in Short Fiction

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Irish author Danielle McLaughlin didn’t start writing fiction until 2010, but in the years since she has amassed an impressive collection of writing awards, including the William Trevor/Elizabeth Bowen International Short Story Competition, and has twice placed stories in the New Yorker.

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Writing Gives Me No Happiness

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A novel wants to befriend you, a short story almost never.

Over at VICE, Lincoln Michel nabbed the elusive and brilliant Joy Williams for an interview about her newest short story collection, ninety-nine stories of God. Her answers are wonderful in their minimalist nature, and for lovers of lists she even included “8 Essential Attributes of the Short Story (and one way it differs from a novel).”

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The Saturday Rumpus Interview: Leslie Pietrzyk

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Think about the stories you have inside that scare you. That’s what you should be writing. ...more

This Week in Short Fiction

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The summer issue of Asymptote was published this week with a gorgeous spread of short fiction in translation from Spanish, Croatian, Persian, and more. If you’re not already familiar the journal, it publishes English translations of fiction, poetry, nonfiction, and more from across the globe (the website cites 105 countries and 84 languages so far) alongside the original text and often accompanied by audio of the author or translator reading an excerpt in the original language, making it a treasure trove for language nerds and literature lovers alike.

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This Week in Short Fiction

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It’s July, and the summer issues of literary magazines are rolling off both the physical and cyber presses, including Virginia Quarterly Review, which this week shared a story from its summer print issue online. In “Dixon” by Bret Anthony Johnston, author of the bestselling novel Remember Me Like This and the award-winning collection Corpus Christi, a father risks border patrol agents and losing his job to illegally sell a shipment of Dairy Queen kid’s meal toys in an effort to save his daughter.

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The Rumpus Interview with Raphael Cormack

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Raphael Cormack discusses The Book of Khartoum: A City in Short Fiction, a collection of short stories he co-edited and translated, the editorial process, and the responsibilities that accompany translating writing. ...more

The Authentic Weakness of Being

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… Initiation into the system of words Beckett was working with in the mid-1960s is more complicated, not least because the system was corrupted, a failure…

Over at the Guardian, Chris Power writes about the short prose of Samuel Beckett, from first attempts “stinking of Joyce” to the complete breakdown of language itself as presented by later work—its glory and difficulty and brilliance and frailty.

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This Week in Short Fiction

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This week, Guernica has a new story from author and veteran Odie Lindsey, whose debut story collection about soldiers coming home from war, We Come to Our Senses, will be published by W.W. Norton later this month. Included in the collection, “Bird (on back)” picks up in the middle of a disintegrating relationship between an unemployed diorama artist and his vibrant but terminally ill girlfriend, who before they met contracted a sexually transmitted autoimmune disease from a soldier on leave.

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In Her Country

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Each story was inspired by anything from a personal memory or a family anecdote to a news item or something I had heard happen to someone else. Or sometimes it was a formal challenge in combination with those things: for instance, I love short stories written from the collective first person point of view, so I wanted to try that.

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This Week in Short Fiction

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There’s a new short story by Chimamanda Ngozi Adichie in the world this week, and it’s a Mrs. Dalloway-style imagination of a day in the life of Melania Trump as she plans a dinner party. The story, titled “The Arrangements,” is the New York Times Book Review’s first-ever commissioned piece of fiction (to be followed, for the sake of bipartisanship, by a second story from a different author on the Clintons in the fall).

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The Rumpus Interview with Becky Tuch

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Becky Tuch discusses founding The Review Review, motherhood, creativity, and the future of literary magazines. ...more

This Week in Short Fiction

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This week at Recommended Reading, PEN America offers an excerpt from Brazilian author Noemi Jaffe’s novel Írisz: as orquídeas, which is remarkable for many reasons, one of them being that this is so far the only opportunity to read part of the Portuguese-language novel in English translation.

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This Week in Short Fiction

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This week, Karen Russell of Swamplandia! fame has a new story in The New Yorker that unearths the self-deceptions beneath what we often think is love, and also unearths a body. In “The Bog Girl,” a teenage boy named Cillian digs up the 2,000-year-old body of a girl that has been perfectly preserved by a peat bog and then, with Russell’s classic flair for the imaginative and the creepy, falls immediately in love with her.

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