Posts Tagged: Social Media
I have existed from the morning of the world and I shall exist until the last star falls from the night –Roman emperor Gaius Caligula (AD 12–AD 41).
Part of the beauty of me is that I am very rich. –Donald Trump
A self-described “actor’s director,” James Steven Sadwith has been writing, directing, and producing television movies, miniseries, and dramas for nearly three decades—and is perhaps best known for his work on the lives of Frank Sinatra and Elvis. But for Coming through the Rye, his first feature film for the big screen, Sadwith comes closer to home, chronicling in fictional form the journey he himself embarked upon as a youth....more
Publishers stress that readers nowadays want to feel like they’re in a relationship with an author. But I’ve just put everything I know into writing and in exchange you pay me $25 for a book. Can’t we be done?
At Lit Hub, Maria Semple talks with Jami Attenberg about comparing yourself to other writers and the irritable nature of social media....more
Over at the New Yorker, Jonathan Blitzer writes about novelist Rabih Alameddine’s artful Twitter feed and how posting paintings and photographs is part of the author’s writing process. “[W]hile the welter of distractions on the Internet is a liability to many authors, Twitter settles him,” Blitzer writes....more
At Electric Literature, poet and critic K. Thomas Khan walks through the unraveling of a relationship, deliberate isolation from online life, and the questions both raise in a lyrical, longform piece that pushes and pulls at the concepts of personal and professional connection....more
Most writers, especially those who are just starting out, feel lost and lonely in a literary world that seems to have pre-constructed cliques that are so hard to infiltrate. Anne Korkeakivi, an ex-pat and ever-traveling author with literary connections spread around the world, tells us that we are all peripheral to the literary community, and that every writer constructs their own community in multiple places, especially in the age of social media, which allows us to limitlessly connect with other literary-minded people, no matter their time zone....more
Over at the Paris Review Daily, Wei Tchou explores writers’ presentation of their emotions via social media, and what that means for how their work is judged. Tchou concludes:
Overblown emotional posturing will go on, despite the occasional backlash, so long as clicks and voyeurism are the currency of the web.
Twitter, Facebook and other social media tools do offer users the option to block, report or mute offenders, and sometimes people are banned or suspended. But this approach focuses on the abuser, with the target often expected to do their own labor of managing their online experience even as they face threats.
If a link falls on the Internet and no one is online to click it, does it really make a connection? Michael Seidlinger takes on the Sisyphean task of building identity in cyberspace:
We have all become Sisyphus, pushing our rocks up a hill littered with hyperlinks and tweets, perpetually, futilely, refreshing the page of existence.