Director Alix Lambert talks about her documentary, Mentor, small-town conformity, and bullying in the digital age....more
Posts Tagged: Social Media
Meander to Hazlitt for Linda Besner’s recent reading of Alfred Hermida’s Tell Everyone: Why We Share and Why it Matters. Besner’s critique is particularly concerned with the role of anonymity in a new, social-media-dominated landscape:
Social media, in other words, is a gift economy, in which we share information both in the expectation that others will share important information with us and in the hopes of increasing our social capital .
Alexandra Wuest, writing at HTMLGIANT, looks at the distinction between procrastination and the useful distraction that is a necessary part of the creative act:
Somewhere between the initial conception of an idea and the completion of the project exists a murky abyss of abstraction in which the horizon line is hidden–or may not even exist.
Writer Michael Harris discusses digital distraction and reading War and Peace at Salon:
But there’s a religious certainty required in order to devote yourself to one thing while cutting off the rest of the world. We don’t know that the inbox is emergency-free, we don’t know that the work we’re doing is the work we ought to be doing.
Artist Cory Arcangel recently curated a collection of tweets containing the phrase “working on my novel” to produce a book of the same name. The New Yorker’s Mark O’Connell wonders why—why he did it, why they tweeted it, and why it matters to us:
…it’s hard to imagine a book providing a more solid pretext for discussions of social media and creativity, or the death of the novel, or any number of other means by which the think-piecing superego might impose itself on the culture.
Social media is a cruel machine, propelled by our desire to keep up appearances and affirmed by a strange, voyeuristic capital of likes and favorites. While Facebook can at times feel like a digital cocktail party devoid of any significant personal connection, Julia Fierro, author of Cutting Teeth, makes a case for its value to those who struggle with anxiety and loneliness:
It is socializing on my own terms.
Facebook connects people every damn day. It’s just not how I personally want to connect. I trust that I’ll still wind up with valuable, lasting connections without the aid of online networking, and not waste so much steam in the process....more
How should we handle digital memories? Do we keep them or erase them from our hard drives?
Facebook is emotionally manipulating you more than your mother.
You aren’t the only one concerned with Frozen’s limitless power over today’s youth....more
Twitter is like a digital notebook for collecting observations, Rhys Nixon describes over at Entropy, making it an ideal platform for poetry and expression. Twitter also combines humor and absurdism, two elements often overlooked in more conventional literature. But perhaps the most significant characteristic of Twitter is the collaborative process essential to all creative forms....more
Whisper is an app that lets users make anonymous confessions. It’s brilliant and seems to be here to stay. Or stay as long as these things do....more
Do we think that the things a person says in public or the things a person writes in private say more about them? I think that’s an interesting question, especially for our moment of Twitter and Facebook. We tend to feel the private is more true somehow.
I joined Instagram on a Tuesday, the night of a weekly social club in the Berkshires where members get together to share dishes that correspond to that week’s theme....more
Fans of the hit television show “The Office” will surely know that former “Office” star BJ Novak has come out with a collection of stories entitled One More Thing: Stories and Other Stories. Find out on Mashable why Novak thinks social media may unleash a new generation of prolific writers:
“[Social media] makes everyone aware of the minutia of conversation in literary form,” Novak told Mashable.
Writing in the New Yorker about the smartphone app Cloak, Mark O’Connell offers a thoroughly beautiful and poetic commentary on the ontology of visibility:
By generating a kind of omnipresence—whereby we are always available, visible, contactable, all of us there all the time—the technologies that mediate our lives also cause us to disappear, to vanish into a fixed position on the timeline or the news feed.
In the spirit of Orwell, Saunders, and M.T. Anderson, see here for a glimpse at the future of social media: virtual reality dates, sensory augmentation, robots writing on humans in peer-reviewed journals.
Sensory augmentations will make possible ever-deeper transports of desire, as we use technology to expand beyond our biological bodies, while machines increasingly anticipate all our needs.
Throughout AWP, I heard people groan: “Yeah, I’ll start tweeting soon.” “I know I know: I should tweet.” They seemed resigned to it, and I suppose I did too, but I didn’t know why....more
“We live in a moment where images fill our lives in more obvious ways than words. Every day we scroll through Tumblrs, memes and gifs, a parade of images as completely absorbing as it is mind numbing.”...more
Last year, we blogged about the first annual Twitter Fiction Festival after it happened. This year, we’re giving you a heads up: if you want to participate in this year’s festival, happening March 12–16, submit your idea to the organizers here....more
Every day, my friend Laura brightens up my Facebook news feed. A gifted writer and mother of three precocious children, she relays their conversations, poignant moments, and hilarious activities with style and wit. I love her children: the deep thoughtfulness of her son, her daughter’s sass, and the smushy cheeks on her baby.
Though it can be hard to remember between tweeting at your favorite writer and joining a Facebook event page for a reading, there was a time when many authors led reclusive lives with minimal self-promotion.
Bookish has rounded up a list of some of the most private (Salinger, Pynchon)—and their modern-day, super-public opposites (John Green, Susan Orlean)....more