Posts Tagged: The Millions
Should a writer submit to a literary magazine that only “pays” in contributor copies? What does it mean that we, in the literary community, have accepted lack of monetary payment as commonplace?
At The Millions, Tracy O’Neill deconstructs the Ritz-Carlton’s new “Six Word Wows” ad campaign. The hotel chain calls for guests to describe their stay in six words or less, using the hashtag #RCMemories, and claims to be ““Paying Homage to a Classic Ernest Hemingway Line.” O’Neill frames her essay with Thomas Frank’s assertion that, since the mid-90s, corporations have targeted consumers by playing up their nonconformity, creating the “Culture Trust: a corporate America that deploys the sensibilities of counterculture for profit.” However, O’Neill goes a step further, wondering if the campaign works, perhaps, because it gives patrons “an authorial role” and allows them to describe what they see as their extraordinary vacations....more
(n.); cunning in words; skill in adorning speech; the arbitrary or capricious coinage of words; from late Latin and Greek, log (“speech, word”) and daidalos (“skillful, ingeniously formed)
Every society we’ve ever known has had poetry, and should the day come that poetry suddenly disappears in the morning, someone, somewhere, will reinvent it by evening.
Since I arrived, two years ago, I’ve grown more interested in works about American expats, especially those in which the characters are not quite comfortable in their settings. I wanted to see what this literature said about the ways in which expat life in Europe evolved over the course of American history.
A lot of poems are sad, but over at The Millions, Nick Ripatrazone thinks he’s found the saddest: “Spring and Fall” by Gerard Manley Hopkins. Ripatrazone explores Hopkins’s poem, and while doing so, gives his thoughts on what good poetry can do:
I think the best poetry is a form of interrogation of self.
Although Americans’ love for poetry has yet to reach the wild heights of Abu Dhabi’s hit reality show Million’s Poet where 70 million global viewers watched dueling versifiers vie for a $1.3 million cash prize, Americans are actively involved in reading it—particularly outside the traditional literary arenas of bookstores and libraries.
At The Millions, Anna Solomon asks what it means that “literature is filled with disappearing mothers”:
Why so much motherly abandonment? It makes for good conflict, of course. It can help define characters and set plots in motion. Most importantly, it’s an act that even in 2014 remains, in many ways, the ultimate taboo.
Growing up all over the place makes you skilled at adapting, but it also makes you hungry to belong, something that in part motivates my writing: carving out a space I know, trying to understand what I’m witnessing around me. The experiences of others everywhere.
In an essay at The Millions, Alex Kalamaroff praises the growing number of LGBTQ characters in young adult fiction. He wonders, however, why there’s such a disparity between YA and adult fiction, especially considering that many between the ages of 18 and 44 read books intended for teenagers....more
At The Millions, Jonathan Russell Clark ruminates on the idea of the epigraph. Over the past decade, Clark has kept a Word document filled with quotes from literature, and the amassed 30,000 words, he admits, are less for insight and inspiration than a source of potential epigraphs for his own work....more
Vivian Maier has been called one of the greatest street photographers of the 20th century, but during her lifetime, she worked as a nanny and kept her photography on rolls of film that went undeveloped. Over at The Millions, Janet Potter raises questions about Maier’s decision to keep her artwork to herself: “Why is someone who takes so many photos a nanny?...more
Founded in 1986, independent publisher Soho Press has built its reputation on engaging literary novels, a catalog of international authors, and a crime fiction imprint. The press has thrived even through an era of upheaval in the publishing and book retailing industries....more
According to Nicole Bernier, reading groups and book clubs are more and more becoming heavy influencers of the publishing industry, remaining the best social way to read and discuss a book.
“But the strength of the book-club phenomenon is that even if some are doing extraordinary things, the average book club doesn’t have to....more
In Remembrance of The Novel (d. 2014)
Who after supplanting the Epic
Enduring that “damned mob of scribbling women”
And surviving Finnegans Wake
Finally succumbed to the Internet
At a 2011 panel discussion, Erin Hosier, a writer and literary agent, said that she wrote for the money. She had just gotten a book deal to write a personal memoir, and was looking forward to receiving her advance. In a recent interview with The Millions, Hosier says she assumed that the memoir “would just burst forth from [her] hands.” In 2014, Hosier’s memoir is still forthcoming....more
If sentimentality is a sin, it is only because feeling can be so beautiful. One moment of sentiment in literature is worth a thousand failures. We often cannot see the rafters in the dark, but what a shame it would be to never reach for them.
In the end, he was profiting off of violence, on fights that he sometimes started. He was also a dishonest journalist. After he failed to photograph a battle with Sandman, he restaged it using large piles of sand.
Before Leslie Jamison was a New York Times bestseller, she was a student at Iowa Writers’ Workshop. In an interview with The Millions, Jamison said she has “a lot of faith and trust in the workshop process,” but this doesn’t mean she believes that the workshop process doesn’t come with its own set of limitations....more
What’s the difference between an essay and a novel? Teju Cole considered that question in his 2012 essay, “The White Savior Industrial Complex,” writing that essays have points, while novels do not.
While Cole continues to stand by this essay, he admits that there are exceptions to this rule....more