Welcome to This Week in Trumplandia. Check in with us every Thursday for a weekly roundup of the most pertinent and relevant content on our country, which is currently spiraling down a crappy toilet drain. You owe it to yourself, your communities, and your humanity to contribute whatever you can, even if it is just awareness of the truth....more
Posts Tagged: The Nation
There’s been a lot of thoughtful criticism on porn, written by women, recently—notably, Katrina Forrester in the New Yorker and Natasha Lennard in The Nation. For Granta, Andrea Stuart choses a unique angle in her own piece on porn, writing a genre-bending essay that can best be described as a reported piece of first-person criticism....more
Photography is often considered “objective”—a technology with the ability to capture people, things and places as they were during one moment in time. The art form has a long history of depicting race powerfully in America, both in disproving difference across racial divides and in evoking emotion and depicting the gravity of tragedy....more
To memorialize a tragedy, one must inscribe unmistakable significance into reticent materials, attempting to curb the natural processes of forgetting and obsolescence.
For The Nation, Becca Rothfeld writes about W.G. Sebald, author of The Emigrants, among others, and his obsession with artistic expression as the aestheticization of truth, almost necessarily a “mangling,” when the goal is to memorialize or find deeper truth in the wake of tragedy and violence....more
At The Nation, Ava Kofman talks about Clarice Lispector and her continual mystique as a writer who refuted such nonsense as plot, rebuked literature from Borges to Joyce, and still captured the literary world with a fierce grip and claws:
Or as Lispector put it: “I can’t sum myself up because you can’t add a chair and two apples.
Over at The Nation, Moira Weigel gives a thought-provoking perspective on digital humanities, and identifies some of the field’s intellectual precursors. The idea that big data holds the key to unlocking mysteries of literature and history is the logical extension of a larger cultural obsession with computer analysis; it’s also a little absurd to any number of literature lovers....more
Librarians have long been on the forefront of information management; in the digital age, they are more invested than ever in protecting the free flow of information to the public, and protecting it from the overreaches of government prying. In June, key provisions of the Patriot Act that justified the government’s massive data collection efforts will expire; among these provisions is Section 215, which allows the FBI to requisition library records....more
Philip Glass has written a memoir.
Philip Glass has written a memoir.
The composer Philip Glass has written a memoir.
Philip Glass has written a memoir. It begins in Baltimore.
The composer Philip Glass has written a memoir. It begins in Baltimore.
The university press system has faced a rapid decline. Research libraries, looking to cut costs to pay for expensive electronic journal subscriptions, buy fewer monographs. Subsidies from parent institutions are down. Meanwhile, the researchers who publish with and rely on content from university presses demand access to digital content....more
Facing financial inequality and burdened with debt, millennials have discovered Marxism, writes Timothy Shenk for the Nation. And millennial writers are leveraging technology, rejecting old guard institutions, and constructing new forums for discussion:
Combine all this with some fondness for navel gazing and with the fortunes of geography—politics aside, New York writers are New York writers, and they like to talk about each other—and the pieces are in place for the articles declaring the rebirth of Marxism that have become a minor genre in the last year.
There’s a heated conversation about online feminism happening—where else?—online right now.
Ignited by a piece in the Nation about Internet toxicity as well as an ill-advised xoJane piece about white privilege in yoga class, the discussion is focusing on intersectionality in feminism, particularly as it regards race....more
Caleb Crain over at The Nation digs in deep to James Lasdun’s new memoir, Give Me Everything You Have, the seemingly terrifying story of his “persecution on the internet by a clever, mentally unbalanced person.”
The cyber-harassment (a wildly tame description of Lasdun’s struggle) was the work of a former student of Lasdun’s, who tormented him over six years with increasingly delusional and threatening emails....more
At The Nation, Melissa Harris-Perry breaks down the wider political context surrounding the Trayvon Martin killing, outlining the historical and contemporary reality in which it is “acceptable to presume the guilt” of black bodies.
“Liberal democracy—based on commitment to individual liberty and dignity—does not exist if the government legislates against particular bodies in public spaces, as it did during Jim Crow, or when it is complicit in the violent policing of those bodies by other citizens, as in the Trayvon Martin slaying.”...more
At The Nation, Barry Schwabsky writes about photographer Zoe Strauss’ “Ten Years” exhibition. Exploring Strauss’ evolving approach to photographic techniques, portraiture and storytelling, Schwabsky argues that her artistic triumphs come from “thinking big”.
“Strauss’s work was a runaway from birth, and by putting her photographs on billboards she is returning them to the streets from which they sprang… But more than that, Strauss’s images are not only about but for the urban rough-and-tumble....more
The Nation explores the poetry of Juliana Spahr, Noah Eli Gordon, Anna Moschovakis and Kathleen Ossip, articulating how all four poets react to “big modern systems,” while rendering compounded emotions.
“In paths through and under and around those systems, economic, environmental and linguistic, these poets address what the critic and poet Christopher Nealon calls the “matter of capital,” the built-up stuff (facts and texts) that our social system manipulates and accumulates, treats as fungible or attempts to discard.”...more
“Beattie is an artist of silence, of the things we don’t say or can’t, the things that find expression anyway. She is an artist of the space between the words—of commas and dashes and periods; of section breaks, blank spaces that her characters seem to hit as if running into a wall.”...more
In this Nation Conversations audio interview, reporter Laurie Penny takes a closer look at how digital resistance groups such as Anonymous and LulzSec have enabled protests from the Arab Spring to Occupy Wall Street. She breaks down the relationship between online and offline dissent, and how the concept of security operates in both realms....more
“In earlier times, when a woman’s response to the death of a beloved may have been limited to suicide, euphemism or enforced silence, these shaped works of art would not have existed.”
Focusing on recent poetry by Susan Howe, Gertrude Schnackenberg, Anne Carson and C.D....more
A long time ago, back when I was basking in over-priced Leftism in Santa Cruz, I gave a gift to my friend: Letters To A Yong Contrarian by Christopher Hitchens.
At that time Hitchens was a venom-tongued writer for the progressive magazine The Nation and was still pals with the other equally acid-tongued provocateur, Alexander Cockburn....more