Posts Tagged: The New Inquiry

The Rise of a New Socialist Literary Scene

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Facing financial inequality and burdened with debt, millennials have discovered Marxism, writes Timothy Shenk for the Nation. And millennial writers are leveraging technology, rejecting old guard institutions, and constructing new forums for discussion:

Combine all this with some fondness for navel gazing and with the fortunes of geography—politics aside, New York writers are New York writers, and they like to talk about each other—and the pieces are in place for the articles declaring the rebirth of Marxism that have become a minor genre in the last year.

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Women Who Run with the Wolves (and Pandas and Gorillas and Whales)

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It’s a trend you may never have noticed, but it exists: “women—attractive, single, childless women—have long been coupled with exotic animals. Gentle women and wild animals are linked in myth and fable, fashion photography and pornography, pulp art and fine art.”

A spellbinding essay by Sasha Archibald for the New Inquiry looks at real-life woman–animal pairings and what society has done with their stories, from Ruth Harkness, who introduced pandas to the West, to Dian Fossey “of Gorillas in the Mist fame,” to SeaWorld trainer Dawn Brancheau.

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White Girls and Cultural Appropriation

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White people clamoring to up their cred by appropriating nonwhite culture do so hoping to be rewarded for choices that are falsely seen as inherent in people of color.

In an essay on cultural appropriation for the New Inquiry, Ayesha Siddiqi dissects “the awkward sexism of white supremacy” and what we really mean when we say “white girl.”

It might rearrange your whole way of thinking about certain intersections of race and gender.

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What’s The Deal With Massive Open Online Courses?

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MOOC’s are a word for forgetting that universities have never grown without being planted, for trusting that just as students can teach themselves, universities will magically grow themselves, too.

In the 21st century, many universities have been changing their game and debilitating higher education by turning it into a corporate ordeal.

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Genre Resistance

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“Let me say and I probably mean this in the most manifesto-ing way that genres don’t exist. They don’t exist at all. They serve the needs of marketing, of academic specialization, even as modes of work, but in terms of meaning or content or associative formations they are like traffic lights—not so interesting and most adamantly not what we are doing today.”

The New Inquiry conducts a five question interview with Eileen Myles.

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