Posts Tagged: the new york times
To know Lovecraft turns out to be a way to know a great deal about the city [of Providence].
Still weird, and mostly architecturally unchanged since the early 1900s, Providence was H.P. Lovecraft’s stomping ground and muse. Noel Rubinton takes a literary walking tour of the horror/sci-fi master’s haunts for the New York Times, including the John Hay Library at “Miskatonic” University (aka Brown), where some of Lovecraft’s 80,000 letters are archived, and Swan Point Cemetery, where the writer’s gravestone is decorated with pennies because he died penniless, at forty-six....more
For the New York Times Bookends column, Rivka Galchen walks us through a deceptively simple poem by Zbigniew Herbert to illustrate a philosophy that supports both the abstract and the moral responsibility of art. She posits that “there is a way in which art for art’s sake is the art most open to all comers, and most (potentially) ethical.”...more
The New York Times writes about how Elizabeth Gilbert, author of Eat Pray Love, overcame her fear of singing in public to raise money for a nonprofit that helps orphans in Nepal. Gilbert recalls:
I said to myself, “You’re not allowed to [be afraid] anymore.
There have been an awful lot of girls in titles lately—The Girl With the Dragon Tattoo, Gone Girl, The Girl on the Train, to name a few—writes Alexandra Alter in the New York Times. But popular, formulaic titles aside, some “girl” books worth a deeper look this season include The Girls, by Emma Cline, and Megan Miranda’s All the Missing Girls....more
This year’s children’s literature has some exceptional bonafides. Over the next few months, a number of acclaimed novelists, including Jane Smiley and Elena Ferrante, will be publishing children’s books. Whether a five-year-old can distinguish between literary and genre fiction, only time will tell....more
Researchers from the University of California, Berkeley published a new study about brain activity in people listening to podcasts, the New York Times reported. “Using novel computational methods, the group broke down the stories into units of meaning: social elements, for example, like friends and parties, as well as locations and emotions....more
“All plots tend to move deathward,” the narrator of “White Noise” says. “This is the nature of plots. Political plots, terrorist plots, lovers’ plots, narrative plots, plots that are part of children’s games. We edge nearer death every time we plot.
China has issued a ban on foreign-owned media from publishing online within the nation. Global news agencies like Reuters, Dow Jones, the New York Times, and Bloomberg have invested considerable sums in building bureaus in the country. The foreign media ban is another step in reversing the nation’s loosening of censorship laws....more
But it was another truth — the humility of that kitchen, confronting what I didn’t know — that has felt most resonant across my writing life.
In the latest installment of the New York Times‘s Sunday Book Review, Caroline Alexander writes an elegant review of Rebecca Hunt’s Everland, a novel about two expeditions in the Antarctic that take place more than a century apart:
Her careful control of the narratives and dramatic pacing keeps the tension in each story steadily escalating.
For the New York Times, Alexandra Alter interviews Salman Rushdie about his new novel Two Years Eight Months and Twenty-Eight Nights. Their discussion covers the stylistic choices that went into the novel, as well as the role of mythology and polytheistic religions in Rushdie’s larger body of work:
Ideas are interesting to me, and religions are a place where ideas have been very subtly embodied for thousands of years.
“The year without a summer,” as 1816 came to be known, gave birth not only to paintings of fiery sunsets and tempestuous skies but two genres of gothic fiction. The freakish progeny were Frankenstein and the human vampire, which have loomed large in art and literature ever since.