Posts Tagged: Tobias Carroll
Over at Lit Hub, Tobias Carroll takes a look at three recently reissued books (Our Spoons Came from Woolworths by Barbara Comyns, Genoa by Paul Metcalf, and A Manual for Cleaning Women by Lucia Berlin) trying again to seek out the success they deserve based on merits of exemplary craft and wonderful stories, and meditates on all these authors can offer in their previously overlooked works and what makes literary reissues so appealing....more
We can toss around “sci-fi,” “fantasy,” “magical realism,” “surrealism,” and a dozen other genres in our struggle to categorize literature, but the term “weird fiction” is an interesting category that attempts to encapsulate a unifying element. Over at Lit Hub, Tobias Caroll makes the case for “weird fiction” and covers several examples of its wide breadth....more
Fiction written under an authoritarian or totalitarian government often dares readers to view the work as a critique of that society.
In a review of two science fiction works by Cuban authors, Electric Literature takes a look at the surprising connection between oppressive political ideologies and fantastical worlds in fiction....more
Book-to-movie adaptations are nothing new, but does the transition work the other way around? Over at Electric Literature, Tobias Carroll examines the capacity of prose to put film on paper:
This shouldn’t work, but it does. Perhaps it’s that the deconstructive elements of the novel echo another part of the world of cinema: between film school and film criticism, discussion is as much a part of cinema as images projected onto a screen.
After years of anxious separation, people are finally relaxing about the literary/genre fiction divide. Over at Electric Literature, Tobias Carroll asks: now what?
We’re now well into a period where literary writers are able to balance their love for horror (or science fiction, or fantasy) with their craft, and fewer and fewer bat an eye…But now that we’ve gotten past that, there’s another question raised by fiction that falls into the realm of, for lack of a more graceful term, literary horror: how does it deal with our expectations of both of its literary forebears?
In Vikram Chandra’s eyes, programming’s a lot like penning a piece:
When I first started programming, I was already writing my first novel, and the similarities became obvious right away: Both are iterative processes in which you construct bits of language and try to refine them; you try to construct complexity out of assemblages of small, simple bits of functionality.
Rumpus contributor Adam Wilson sat down with Tobias Carroll over at the Tottenville Review to discuss Wilson’s latest collection of stories, What’s Important is Feeling. Wilson reveals his interests in Occupy Wall Street and social class, observing:
And then I went away to college and went, “Oh, wait–I really do come from this incredibly privileged background.” And I had to reshape a lot of my thinking about it.
n+1 celebrates the launch of Issue Eighteen: Good News. Recess Activities, 8 p.m., $10 or free for subscribers....more
It begins with an act of divine intervention. “God reached his hand down from the sky,” sings Hutch Harris....more