Posts Tagged: Toni Morrison
I read the Assistant Warden’s e-mail four or five times, but I still could not grasp its implications. All I could think about was the ten copies of Toni Morrison’s Beloved I had just bought.
For Lit Hub, Mikita Brottman details her experience having the book club she ran at the Jessup Correctional Facility be inexplicably terminated....more
Books live in our collective unconscious as well as our individual imaginations. It’s best to air these stories occasionally so that we may examine the myths we hold dearly. Movies may be messy but they can be viewed en masse, which makes them the perfect medium for this analysis.
The rapid rise of “trigger warnings” is starting to impact literature curriculums. For instance, Columbia University students lobbied to include warnings on Ovid’s Metamorphoses, a core text in Western Literature syllabi. Columbia refused to include warnings, but essentially capitulated by expunging the text from its curriculum entirely....more
Her name becomes shorthand for a republic of women and black artists with “no home in this place” to borrow a phrase from Morrison’s Nobel lecture, people who create, reclaim and celebrate art that is intent on offering something of use back to the people whom it illuminates.
Toni Morrison was honored at this year’s National Book Critics Circle award ceremony, and Rita Dove’s remarks capture Morrison’s ongoing legacy beautifully. Dove describes her own joy in discovering The Bluest Eye, the first book in the University of Iowa’s library that spoke to a black American experience outside of the deep south or inner city....more
Over at FiveThirtyEight, Amy Rothschild explores the #WeNeedDiverseBooks campaign, and the many strategies advocates are using to make a lasting change in the landscape of children’s literature. While 2014 showed a hopeful bump in books penned by and depicting people of color, institutional challenges will likely make change a slow process; Rothschild cites an overwhelmingly white publishing industry, executives dubious of the market for “niche” books, and strapped budgets of the schools and libraries that once wielded major influence on overall sales....more
At The Millions, Jonathan Russell Clark analyzes several last sentences from well-known novels by Hemingway, Tolstoy, Morrison, and Roth. He pays particular attention to the craftsmanship necessary to write these sentences, and considers how last sentences work to reinforce larger themes within a novel:
For writers, the last sentences aren’t about reader responsibility at all — it’s a once-in-a-lifetime chance to stop worrying about what comes next, because nothing does.