Posts Tagged: vinyl
Light in the Attic Records is reissuing Jerry Goldsmith’s 1974 soundtrack to the movie Chinatown in a limited release of 2500 copies. The reissue comes on gold vinyl, with album art by Sterling Hundley and layout by Jay Shaw. The soundtrack was an incredible feat—Goldsmith wrote the score in a mere ten days, creating a surprising, hard-to-place, and unforgettable piece that:
It wasn’t quite straight jazz, it wasn’t quite classical.
That vinyl has experienced a resurgence is a much exhausted topic, with LPs selling at large lifestyle stores and cutesy budget turntables available from any number of the same. But most labels who release albums on vinyl also release them electronically, through some combination of free-download-with-purchase promos, SoundCloud accounts, iTunes sales, etc....more
In a bid against HBO’s Vinyl over-romanticizing ’70s New York to the exception of other decades, the Guardian published a piece on why the ’80s were more important than popular fantasy seems to suggest. The profile covers the post-punk scene, heavy with nostalgia for nights when the partying “was more like, ‘Let’s read some Rimbaud and talk about it while doing coke all night,’” as Cynthia Sley from the Bush Tetras said....more
Once upon a time, during the days of vinyl, there was a type of record that revolved forty-five times a minute, and it was the medium of choice for singles. Digging through a dusty crate of 45s today often reveals a treasure trove of long-lost music....more
A recent New York Times report showed that e-book sales are declining while printed book sales are doing well. Over at Lit Hub, Adam Sternbergh argues that the printed book is going nowhere, for at least another 500 years:
Whatever medium the music is delivered in, the song remains the same—once it gets to your headphones, it doesn’t really matter what form it arrived in (esoteric preferences for the “warmth” of vinyl notwithstanding.
A.V. Club contributor Jason Heller places his bets on the (suspected to be short) future of the vinyl revival in this article about the reissue of Kenny Rogers’ The Gambler.
Observing a risky trend in artificial rarities, Heller argues new traditions like Record Store Day are leaning more towards manipulative marketing than celebration of nostalgia....more
The world is just going to continue to fragment, and that’s a great thing. We’ll be fine. Tiny Telephone will be fine....more