Posts Tagged: visual art
One recent hot weekday afternoon, I told my partner—the guy who created the “Punk the Muse” logo and draws its cartoons—that I wanted to get out and about. We’d been sitting at home too long. Moon’s Handbook for Northern California revealed an abandoned mine, with a ghost town and an old Western cemetery, a half hour’s drive from our home by the Carquinez Bridge....more
You may see life all over the place. You may guess at things that are dying so fast…
Lit Hub shares some really lovely aphorisms written by the great surrealist René Magritte, from the new volume Selected Writings out from University of Minnesota Press, including thoughts on poetry, the workings of representations and objects, revolt, and painting....more
The “Unfinished: Thoughts Left Visible” exhibition at the Met Breuer Gallery meant more than just incomplete art, writer Patricia Park shares at Catapult. Park was invited to speak at the exhibition’s launch, as were creatives from many different fields. The experience challenged her to think of the exhibition through the lens of her specific work, writing and editing:
As a writer who spent almost a decade tinkering with her first novel, Re Jane, and is now at work on her second, I could not help but view “Unfinished” through the lens of writing and editing.
This summer, an exhibit and accompanying book, Picasso: The Artist and His Muses, brings light to the women who inspired some of the artist’s greatest paintings:
Women play an essential but complex role in the father of cubism’s sprawling oeuvre, expressing emotion, psychological insight and the drama of human existence respectively, but, renowned as Picasso was for being a serial philanderer, the stories behind the faces in his frames are considerably less well known.
Rubens Ghenov’s solo exhibit at the Morgan Lehman Gallery, Accoutrements in Marwa, an Interlude in Silver, has an interesting source of inspiration:
For the past four years, Ghenov’s paintings have been inspired by the unpublished philosophical texts and verse of the late Spanish poet Angelico Morandá.
Mountains loomed in the horizon line. Standard, cliché clouds. After a stretch, green pops of brush. At first, the sediment in the mountains growing up in size was indistinct, all mottled beige, but the layers became more obvious as I got closer, red and brown.
At Aeon, Thom Scott-Phillips compares words and images, literature and visual art, to reveal their complementary nature in getting to the point....more
Because Holzer now thinks of herself mostly as a reader, rather than a writer, she is happiest reimagining space with light, color, and form suffusing it, while a powerful beam is projecting poetry into the night—poetry with all its paradoxes, ironies, contradictions, understatements, and devastating truths.
Artist Nicholas Rougeux focuses on the punctuation of famous works by removing all of the letters in a text and arranging the punctuation in a spiral around a central image. Rougeux speaks on the purpose of his work:
Rougeux doesn’t have any bold claims for what his graphics reveal about literature, writing, “I’m not sure anything revolutionary is revealed.” But in the absence of what we most often focus on—the words—we’re able to see how different authors put punctuation to work in telling their stories, and how even such simple marks might ebb and flow over the course of a single narrative.