Posts Tagged: women writers
Essayist Marie Myung-Ok Lee’s obsession with author photos leads to authorial reflections on gender, representation, and what writers owe the public in “Occupy Author Photo: On Elena Ferrante, Privacy, and Women Writers” at The Millions. Starting with her own experiences and branching out to Mary Oliver, Sarah Howe, and eventually Elena Ferrante, she calls for a rethinking of the author photo and its social implications....more
“Funny Women” submissions don’t read themselves. Most of the time Assistant Regional Funny Woman Katie Burgess reads them (she wrote the infinitely funny “How to Read a Poem,” anthologized in Oxford University Press’s Humor: A Reader for Writers, and has since gone on to read slush)....more
This column has been on hiatus since the springtime and I’m happy to be back. I’ve been reading so much—mostly books by women—this summer. While I’ve been away, I’ve been thinking about gender more than ever, if you can believe that....more
Ferrante’s novels about women like Lila and Lenu are a potent reminder that working-class women’s perspectives are out there, even if we can’t always hear each other, even if we’re sometimes embarrassed and alone, even if we feel exasperated by a system that valorizes experiences and credentials that we can never claim.
Readers are shifting focus from outdated gender expectations and conceptions of identity, and as a result, complex, non-compartmentalized female friendships are blooming in fiction. Books about these friendships are spaces for female writers and readers to explore the complexity of their relationships and selves without the influence of men, whose presence can quickly turn a female character into a label (mother, daughter, lover, keeper) and distract from the potentially subversive nature of female-only friendships....more
Most of these sites were beloved exactly for that same dual sense of security and inclusion members loved — and when that sense was lost, from time or toxicity or something else, the woman who made them moved on to another new place.
Many poets—male poets especially—are secretly anxious that someone will call their poetry a frivolous, feminine pursuit. And instead of embracing the potential charge of frivolity—allowing themselves to be free of it or even to toy with it—those same poets draw lines in the sand with real-and-serious-capital-P-Poetry on one side, and lesser, feminized poetry on the other....more
Writing as art can be what economists call a “non-market” activity. The time we spend writing poems or novels, like the time we spend doing laundry, is usually time not spent earning a dollar, even if we hope to see payment for that work down the line.
For Lenny Letter, Alexis Coe writes on the gendered politics behind book acknowledgements, including acknowledgment of emotional labor, research, and the expectations behind praise for female and male partners....more
Over at Lit Hub, Anne Boyd Rioux discusses the literary genius of the 19-century novelist Constance Fenimore Woolson, and the American tradition of “the diminution of women writers” that continues today:
Woolson’s literary star faded quickly after her death in 1894, a time of shifting literary tastes.
Can women really have it all? Like, all of it? But how could they possibly have multiple things at the same time? How can they even think human thoughts after they’ve subsumed their corporeal selves into an all-encompassing prison of motherhood?...more
It’s not that the books that get someone into the “serious reader” club are all or even mostly by men these days. But the books that get you kicked out of the club are almost exclusively written by women.
Hannah Engler writes for Book Riot on “women’s literature” and the still-unevolved stereotype of the Woman Reader....more