Posts Tagged: women writers

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The Saturday Rumpus Interview: Jen Pastiloff

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I am good at making people feel safe. ...more

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The Rumpus Interview with Joanna Walsh

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Joanna Walsh discusses her story collection, Vertigo, consciousness, artifice, and simultaneity. ...more

In Her Own Words

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Over at NPR, authors Claire Vaye Watkins and Marlon James talk about Watkins’s recent essay, “On Pandering,” which she describes as:

…internalizing the sexism that I’d encountered in the writing world, and the world beyond, and adjusting what I wrote accordingly so that it would be more well-received … by the people I wanted to impress, which was a white male voice that I had in my mind.

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Women Don’t Read Real Books

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Call it “Goldfinching,” after Vanity Fair’s 2014 yes-but-is-it-art interrogation as to whether Donna Tartt’s Pulitzer prize-winning, mega-bestselling book The Goldfinch is or is not literature. It’s the process by which a popular and previously well-regarded novel and, more importantly, its readers, are taken to the woodshed, usually by a critic who won’t hesitate to congratulate himself on his courage, as if dismissing popular things that women like requires some special kind of bravery—as if it doesn’t happen all day, every day.

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How to Get More Lit By Cuban Authors on US Campuses

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It’s a bear to try to get contemporary Cuban literature, especially by women.

To remedy the dearth of books written by female Cuban authors on American campuses, Sara Cooper, a professor of Spanish and multicultural and gender studies at Chico State University in California, decided she’d have to do it herself.

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Writing in Denmark

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If a writer isn’t familiar with the literature of her own country as it unfolds in her own time, she misses out on dialogue, on contact with the path. She must dare to measure herself against the best!

In an essay for Electric Literature’s series on “The Writing Life Around the World,” Danish author Dorthe Nors shares her thoughts on the literary scene in Denmark, wanderlust, and lone wolves.

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Lauren Groff (c) Megan Brown

The Rumpus Interview with Lauren Groff

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Lauren Groff talks about her new novel, Fates and Furies, the life of creative people and those who love them, and why she's grateful to anyone who reads books. ...more

Judging the Judges

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This year’s judges of the National Book Award seem to agree that women’s nonfiction writing is abundant and prize-worthy. The 2015 nonfiction longlist includes seven female-authored books, out of 10, the largest percentage of female nominees in the prize’s history. The longlist also contains two books by people of color, compared to last year’s one.

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This Week in Short Fiction

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The last few weeks have been all about celebrating female masters of the short story. Earlier this month, we saw collections by Clarice Lispector and Shirley Jackson making waves in the literary swimming pool, and this week Lucia Berlin enters with a cannon ball.

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On Unequal Publishing

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Over at the Ploughshares blog, Cathe Shubert discusses the historic nature of sexism in the publishing industry, and urges her readers to keep searching for an early canon of women writers:

Despite the many gains we have made in including women in our understanding of the history of literature, many students graduate with the false understanding that women did not really write until the nineteenth century–that they just couldn’t.

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Road Trip, Anyone?

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Galm’s writing mimics the hyperreality of dreams, and the novel’s penetrative heat is palpable in descriptions of highway rest stops and “the flatness of the valley…the mountains in the far distance like figments behind the haze.”

In a review of Ruth Galm’s acclaimed debut, Into the Valley, ELLE magazine explores how the novel is a “subtle and complicated exploration of what it means to be a woman.”

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Romance Writers Mean Business

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For Pictorial at Jezebel, Kelly Faircloth explores the public imagination’s view of the romance writer, focusing on the genre’s boom in the 1980s and the modern-day romance writer with her eye on the business of writing.

[The Romance Writers of America’s annual conference] reminded me of something like Mary Kay, or Avon—an empire built on the talents of women hunting a flexible opportunity to bring home some cash doing fulfilling work.
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This Week in Short Fiction

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This week, two underappreciated masters of the weird and uncanny are finally getting their due attention. That’s right, we’re talking about Clarice Lispector and Shirley Jackson, two literary powerhouses who wrote contemporaneously in different styles, different languages, even different hemispheres, but who have some striking similarities.

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Making Room on the Shelf

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Women writers, like women activists, have always done a considerable amount of the intellectual heavy lifting required for innovation. And yet try to find many of these women in bookstores: Kay Boyle, Grace Paley, Janet Flanner, Laurie Colwin, Meredith Tax, Dawn Powell, Meridel LeSeur, Colette, Nella Larsen, Paule Marshall, Dorothy West, Mina Loy, Josephine Herbst, Sonia Sanchez, Gwendolyn Brooks, Helen Adam, Alcott’s non-fiction, etc.

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This Week in Short Fiction

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When literary magazines publish “Women’s Issues,” they can run the danger of making women into a theme. As if fiction by and about women is a curiosity, something to enjoy for a moment, in one issue a year, before returning to your regularly scheduled old white men programming.

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SarahTomlinson_7272 copy 2 credit Piper Ferguson

The Rumpus Interview with Sarah Tomlinson

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Author Sarah Tomlinson talks about ghostwriting, her father and childhood, the tradition of confessional writing, and her new memoir, Good Girl. ...more

In Search of Women

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The latest VIDA count might have some disappointing if unsurprising results, but there are empowered women involved in the literary community if you know where to look. Danielle Lazarin compiled a list of journals run by women over at The Review Review and reflects on her choice to focus on these journals:

Most of my writer friends are women.

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