I have heard writers take a stand that they are above Twitter and Instagram, superior for not participating in social media. It’s true the self-promotion feels inauthentic and tacky, but it can be brave to participate in the conversation with good intention.
Posts Tagged: women writers
But let’s talk about it! What if? What if we changed things or at least considered changing things?
Jami Attenberg: I feel like I could talk to you about vaginas all day, Judy.
Is there anything you wish you could change about publishing? Is there anything where you think, god they’ve been doing this forever, why can’t they just figure it out already?
The latest VIDA count might have some disappointing if unsurprising results, but there are empowered women involved in the literary community if you know where to look. Danielle Lazarin compiled a list of journals run by women over at The Review Review and reflects on her choice to focus on these journals:
Most of my writer friends are women.
The message sent to women that what they are writing isn’t important or serious enough is not a new one. It is as old as literature itself. And its persistence has everything to do with how women’s literature is treated in college and university classrooms and, in turn, how it is treated in the literary world.
There were more than 458,000 self-published titles in 2013, an increase of more than 437% since 2008. And when it comes to DIY publishing, women seem to be the bigger beneficiaries, reports the Guardian. An analysis of self-published titles by FicShelf reveals that 67% of the top-ranked titles were written by women....more
I found a precedent for girls like me in the work of confessional poets Sylvia Plath and Anne Sexton. They represented a respectable compromise between “real literature” and my irrepressible tendency to let the personal creep into my writing. I related intensely to the ferocity and focus in their work, but I soon felt the hinges of a trap closing around me.
Amy Shearn makes the case for the struggle of author Dorothy Miller Richardson.
As much as I do love my dear prolific weirdo Knausgaard, he hasn’t really done anything all that revolutionary. In fact, exactly a century ago, England saw the beginnings of a similarly expansive novel brimming with what Ben Lerner called Knausgaard’s “radical inclusiveness … style-less style … apparently equal fascination with everything.” And no, I don’t mean Proust or Joyce, although at the time the writer was often mentioned in the same breath.
If she is a writer of colour; ask how her race has impacted upon her writing. Try to make it both your first and last question, after the attractiveness and skin thing.
If she is blonde; mention it.
If she is slim; mention it.
2014 may not have been an especially good year for female writers in general, but it apparently saw a rise in prizes and accolades for women writing science fiction. Unfortunately, this is but a small step forward toward gender equality within the genre....more
Vela Magazine is hoping to raise $25,000 to pay its women writers and editors. With less than a week left, they have $7,059 to pry from your gender-netural credit cards....more
A feminist novel, then, is one that not only deals explicitly with the stories and thereby the lives of women; it is also a novel that illuminates some aspect of the female condition and/or offers some kind of imperative for change and/or makes a bold or unapologetic political statement in the best interests of women.
When she realized her local Planned Parenthood was struggling to stay open, author and board member Lauren Groff recruited two-dozen other writers to auction off various literary swag in a fundraising event called The Choice Auction. The group, which included acclaimed writers like Roxane Gay, Emma Straub, and Meg Wolitzer, raised over $21,000 for the cause....more
Laura Miller opines that male-authored crime novels are a bit too predictable. Instead…
I’ve found instead that the crime novels I open with the keenest anticipation these days are almost always by women. These are books that trespass the established boundaries of their genre, adding a dash — or more than a dash — of fabulism, or lingering over characters who used to serve as the mere furniture of the old-style hard-boiled fiction.
Writing may be hard work, but it isn’t the kind that pays the bills. Tillie Olsen’s seminal Silences wonders just what kind of work writing really is, and who has the privilege to do it:
Though access to education has improved for women and for members of the working class (categories that intersect) the lessons of “Silences” still resonate.
More than 5 percent of the messages a woman receives online will be abusive or derogatory in nature, on average. Piers Morgan, whom researchers rank as the No. 1 receiver of hate tweets per day, gets 8.4 percent negative comments — putting him not that far ahead of the average female journalist when it comes to fielding vitriol....more
Mitt Romney ignited a feminist revolution during the 2012 presidential debates when he said, “I went to a number of women’s groups and said: ‘Can you help us find folks?’ And they brought us whole binders full of women.”
Throw VIDA’s pie charts highlighting “gender disparity in major literary publications and book reviews” into the mix, and you’ll grasp the necessity of Out of the Binders, a two-day solution/conference at NYU of workshops and panels “on/for/by women in the literary arts and film/TV” (which is probably you if you’re reading this post), aimed “to empower women and gender non-conforming writers with tools, connections, and strategies to advance their careers” (and enhance cup size)....more
In an excerpt from her book The Shelf, Phyllis Rose illustrates the systematic dismissal of women writers through the imagined figure of Prospero’s Daughter: wealthy and educated yet burdened by the demands of a family life whose quotidian challenges, having monopolized her time, become central concerns in her work....more
I can confirm, based on my own reading list this spring, that there is no shortage of fiction set in Brooklyn. In fact, you could almost say that the Lethems and, more recently, the Lins have been supplanted: It’s been a dazzling couple of years for the women of Brooklyn.
At Guernica, Alexandria Peary observes a fine but lethal distinction between being declined and being rejected, a difference that had very real effects on the literary ambitions of nineteenth-century female writers. While to decline a submission implies thoughtful deliberation over that particular work, rejection is an all-encompassing denouncement of something larger: a category or, in this case, a gender:
Women writers in the nineteenth century—when creative writing really got going as a possible profession—faced more rejections than declines, though probably more than a spoonful of dejection.
Although plenty of critics and academics have done a wonderful job reinterpreting what it means to be “the canon,” there are still many readers in the US who, consciously or subconsciously, believe that men have contributed most of what we know to be literature.
Novelist Jennifer Weiner has long been an outspoken critic of literary sexism, vocally demanding respect for herself and other female authors and pushing back against stodgy heavyweights like Jonathan Franzen.
But how much dismissal of Weiner can be attributed to contempt for women’s issues, and how much can be attributed to the fact that her books often have predictable plot arcs and formulaic happy endings?...more