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Posts Tagged: writers

All of Us, Anchored in Place

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“…isn’t it strange, I mean, this thing about being a human being breathing and thinking and sensing and dwelling always, always, in a place?”

This essay in the Millions is all about place and home—how all aspects of living occurs in some sort of physical context, all readers are anchored in some sort of “inner geography,” and how being from somewhere is key to a writer’s ability to observe and report honestly on the experience of living in a new place.

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Reading For Money

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Literary festivals are blowing up (at least in the UK), as evidenced by the new festivals that popped up this year alone, even though it’s increasingly difficult to get sponsors and funders in these times. To get the funds flowing for writers, there may be a new trend in the works:

“A combination of the recession in book advances and the decline of traditional book sales has made the writers who attend these festivals for nothing suddenly conscious of their role as ‘the talent.’ Not only do they want to get paid for their efforts, the literary agents who represent them have begun to explore the commercial possibilities of running speaker agencies as part of their overall service.

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What Will My Facebook Say When I’m Dead?

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“New online lockboxes allow you to specify beforehand who’ll get your passwords, which private Flickr photos should be purged, and what final status should be posted at Facebook, but these services are no substitute for a will. And writers and other artists should be especially careful about relying on them.”

Maud Newton ponders the potentially troublesome issue of digital remains, especially for writers.

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The February House: Something To Aspire To

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I’ve recently been in awe of the short stories of Paul Bowles, the American ex-pat novelist, composer, and translator who lived in Morocco and wrote The Sheltering Sky and who was basically Beat before the Beats.

Besides maybe Flannery O’Connor and Poe, I can’t think of any other short stories that have so riveted me.

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“Writers die twice”

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“Writing remains a very interesting job, but destiny, or “fat Fate”, as Humbert Humbert calls it, has arranged a very interesting retribution. Writers lead a double life. And they die doubly, too. This is modern literature’s dirty little secret. Writers die twice: once when the body dies, and once when the talent dies.”

Martin Amis at The Guardian on Nabokov and “the tortuous questions posed by genius in decline”

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