VIDA is launching a new roundtable discussion series on issues in writing by women on June 2nd at Housing Works Bookstore in Manhattan. The event is the first of a series that will take place every fall and winter/spring. This time, they conversation centers on how women write about other women, featuring a panel including Jill Lepore, Rebecca Mead, Salamishah Tillet, and Ruth Franklin....more
Posts Tagged: writing
I worked the same way with alcohol and drugs, and my whiskey elves, my beasts, never disappointed. I mean, they didn’t always write the prettiest prose — cocaine isn’t known to instill poetry — but they usually unearthed interesting images and haunting motifs.
Fans of the hit television show “The Office” will surely know that former “Office” star BJ Novak has come out with a collection of stories entitled One More Thing: Stories and Other Stories. Find out on Mashable why Novak thinks social media may unleash a new generation of prolific writers:
“[Social media] makes everyone aware of the minutia of conversation in literary form,” Novak told Mashable.
Praise the writer’s notebook, and praise the evolution of the writer’s notebook. Over at the New Yorker, Casey Cep writes about archiving the daily details digitally in photographs, rather than on paper:
Photography engenders a new kind of ekphrasis, especially when the writer herself is the photographer.
“I write because I’ve always wanted to know what bankruptcy feels like.”
John Winters gives his sobering reaction to the hotly debated “MFA vs. NYC: The Two Cultures of American Fiction,” in his essay, “Why I Write: 2014 Edition.” He details the emerging culture in burgeoning novelists produced by MFA programs, whether NYC is really the best place for a writer to be, and why he keeps writing despite the tough economic climate....more
The folks over at Brainpickings have unearthed a video from 1974 from a show called Day at Night where guest Ray Bradbury talked about writing, love, and life.
“I use a library the same way I’ve been describing the creative process as a writer — I don’t go in with lists of things to read, I go in blindly and reach up on shelves and take down books and open them and fall in love immediately.
The Believer‘s blog has a really splendid interview with writer, editor, and UN employee Summer Brennan.
Brennan talks to Nicolle Elizabeth about what it’s like to write non-creatively for a living, and then come home to write some more but on your own terms....more
If anyone was still laboring under the impression that writing is a lucrative business, a new report from Digital Book World is here to pulverize your hopes and dreams.
After interviewing 10,000 authors at all different points in their careers, DBW found that “the majority of authors make less than $1000 a year” from their writing, and “only 10 percent of traditionally published authors made more than $20,000.”
Read more and check out graphs of the data in this Galleycat post....more
The best things on my CV—the ones I almost want to use comic sans for, just so they’ll stand out—haven’t paid me.
In an essay for The Toast, Jilly Gagnon lays bare the realities of the writing life: handling 3,128 rejections, working a day job, and drying Mom’s tears when she sees the size of the apartment you can afford....more
My problem with the grand traditional novel—or rather traditional narrative in general, short stories included—is the vision of character, the constant reinforcement of a fictional selfhood that accumulates meaning through suffering and the overcoming of suffering. At once a palace built of words and a trajectory propelled by syntax, the self connects effortlessly with the past and launches bravely into the future.
“Maybe you write because you’re lonesome. You might stop once you fall in love. Remember we’re each just a self and the page is always there.
Maybe you write because you have a story to tell. I can’t imagine the Herculean act of learning to write for just one story, but some stories burn like that, I’ve heard tell.
Sherman Alexie always loved to read, but it never occurred to him that he—or any other Native American, for that matter—could become a writer.
That all changed when he read a poem by Adrian C. Louis and came to the following line: “O Uncle Adrian!...more
Either in content or in style, in subject matter or in rhetorical approach, fiction that is too much like other fiction is bad by definition. However paradoxical it sounds, good writing as a set of strictures (that is, when the writing is good and nothing more) produces most bad fiction.
One summer day in 1985, a doctor calls my mother and tells her that there is empty space where parts of my brain should be.
“I don’t understand it,” he says. “There should be muscle, and there’s nothing.” More tests, he mumbles....more
…nothing calls for the paper shredder like a story that the writer clearly hasn’t sat on. A story that hasn’t been rewritten, or rewritten enough. So many writers that I encounter send their work in so soon. It shows, it really does.
Policy Mic has a fun post about the four worst things people tell young writers about writing.
Perhaps the most important of these to disregard is “Good writers always write well”:
Imagine you are someone who has no idea how to play a guitar.
Lately, over crumb-laden dinner tables and cups of coffee and on windy hillsides I ask friends, family, and peripheral acquaintances whether or not they write in a journal....more