Posts Tagged: writing
Powerful writing might be just as moving for the writer as for the reader. New research is demonstrating that the old advice about writing through your problems might actually be based in science. Researchers in various studies are gauging how writing about situations can help improve them, like students writing essays about the difficulty adjusting to college....more
Writing requires ideas. The idea might even be the most important component of a story of novel, so finding good ideas is critical. But where do they come from? At Beyond the Margins, Robin Antalek examines where she finds fresh ideas:
I am not a journal keeper – but I am a huge fan of the clipping.
2014 wasn’t just the year of the debut—plenty of authors released their second novel, often considered the most challenging for writers to write. Slate sat down with some second-time novelists to discuss their sophomore efforts, like Family Life author Akhil Sharma who spent a dozen years on the novel:
If you write for two or three years and don’t make much progress, you begin to think that there is something wrong with you.
Writers often overuse a few unique words, creating a linguistic fingerprint. Vocabulary words are also exchanged between social groups. Some people contribute new words, while others adopt them. The process is not entirely random, though:
Diana Boxer, a professor at the University of Florida who specializes in sociolinguistics, says that when we find ourselves in a situation where someone uses language differently than we do, or words we’re unfamiliar with, we usually respond in one of two ways.
But what if your entire book is based on another one? What if a certain piece of information (in the cases of these books, a writer or a specific novel) is foundational to your text? How, then, should you proceed? Should you explain the referenced work so that those unfamiliar with it can enjoy your book?
How much time should be spent on a single work of art? Or inversely, how will the amount of time spent on a work ultimately shape what that work will become and what it will mean to the creator? What it will mean to us?
Writing may be hard work, but it isn’t the kind that pays the bills. Tillie Olsen’s seminal Silences wonders just what kind of work writing really is, and who has the privilege to do it:
Though access to education has improved for women and for members of the working class (categories that intersect) the lessons of “Silences” still resonate.
“WRITER: THE GAME is a not-for-profit writing lifestyle simulator created by Matthew Burnside, the goal of which is to be a productive writer without succumbing to soul-crushing rejection or the wicked diversions of the internet”
Yes, that’s exactly it: an online game that allows you to procrastinate by being a procrastinating writer–or, in other words, an autofictional role game....more
More than 5 percent of the messages a woman receives online will be abusive or derogatory in nature, on average. Piers Morgan, whom researchers rank as the No. 1 receiver of hate tweets per day, gets 8.4 percent negative comments — putting him not that far ahead of the average female journalist when it comes to fielding vitriol....more
Alexandra Wuest, writing at HTMLGIANT, looks at the distinction between procrastination and the useful distraction that is a necessary part of the creative act:
Somewhere between the initial conception of an idea and the completion of the project exists a murky abyss of abstraction in which the horizon line is hidden–or may not even exist.
Writing and revising can be challenging under the best of circumstances, but imaging being unable to see the words on the page. At The Airship Daily, Tammy Ruggles writes about her life as a visually impaired writer:
Before the computer age, the visually impaired could dictate their words to be set down in print or use a stylus to write in braille and have it transcribed, but today’s accessible technology makes writing so easy that you may not realize I used a screen reader, speech recognition software and a magnification program to write this
Memoirist (and former editor-at-large of McSweeney’s) Sean Wilsey talks to The Atlantic about his essay collection, More Curious, and why humor writing resonates:
I think there’s something dishonest about writing that isn’t funny. I can’t engage with a piece of work without an element of humor to it.