The Uncomfortable Shock of Recognition

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Over at the Guardian, Scottish author Irvine Welsh makes a case for Bret Easton Ellis’s often reviled, always controversial American Psycho as a modern classic. Welsh—the author of his own modern classic, Trainspotting—defends the novel, insisting that the qualities that make it uncomfortable for us as readers are why it’s so profound: American Psycho holds a […]

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