harold bloom
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Criticism as a Life Practice: A Conversation with Yxta Maya Murray
Yxta Maya Murray discusses her new novel, ART IS EVERTHING.
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Sound Takes: Let’s Knife
Analysis fails before this mysterious amalgam of silliness and sublimity. Or maybe I’m just a sucker for songs with cat whiskers in them.
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The Alien Angel
In The Times Literary Supplement, Marjorie Perloff explores “the strange voice of Edgar Allan Poe,” invoking the criticism of Harold Bloom, T.S. Eliot, and Jerome McGann, whose new book, The Poet Edgar Allan Poe: Alien Angel, she has set out…
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The How and Why of Reading
Writing “in defense of reading” essays is an outmoded literary form. Leo Robson points out in an examination of a slew of new books that reading, unlike other pastimes such as smoking, is generally considered a healthy pursuit. Since nobody…
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What Is Already Living: Author, Autobiography and Fiction in the Age of Social Networking
WRITE YOUR STORY reads the advertising placard for corporate octopus Citibank on display in the Union Square subway station in Manhattan. The campaign’s thrust appears to be this: by spending money, being a consumer, one, in fact, indites a story…
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The Last Book I Loved: Bleak House
Bleak House is a magnificent book, surprising and delightful and heartbreaking and wild.
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Ari Messer: The Last Book I Loved, The Changing Light at Sandover
I hate agreeing with Harold Bloom. But what can I say? I fall easily and oddly and often (if sceptically) into Bloom’s spells of (particular) historical illumination and (annoying) lucidity.