The Latest
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Satire as Anxiety Release and Reclaiming Narrative: A Conversation with Jordy Rosenberg
“Horror and satire are incredibly proximate genres. They both nourish the over-excitement of the reader—either through terror or laughter, or both—which I was hoping to do. Sometimes these are the only genres that are allowed to tell the truth about…
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Listening to Ghosts, Toni Morrison’s “Beloved” and the Ethics of Remembering
Toni Morrison’s Beloved arrives at its reader with the economy of a hush and the force of a storm. It is an argument written in the grammar of ghosts: sentences that are at once precise and porous, voices braided together…
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The First Book: Mariah Rigg
“Rejection can sometimes open doors to new ways of telling stories, comparison will only stagnate your writing. It will turn you away from the work that you need to create, the work that is entirely yours, and have you trying…
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Walking as a Pastime: Jason Allen-Paisant’s “Thinking with Trees”
Despite his struggle to assert himself, to feel belongingness in his adopted home, the poet concludes the collection with defiance and hope. In “Fear of Men,” he questions whether he must imagine “the trees dark at night” or “silhouettes rising,…
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The First Book: Eliana Ramage
‘You will write other novels…’ I find it affirming because (1) it quiets the worry that the first book has to say or hold everything, which no book can or should, (2) the word write.”
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Autobiomythography or Attending to What Memoir Excises: A Conversation with Lana Lin
My artistic practice includes making films, writing, and visual art. It’s driven by the same kinds of concerns around race, identity, and self-expression—and what it means to speak or to say something. In an interview [about] Dorothy, a publishing project,…
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