Women’s Rage

[The Girl on the Train is] also the latest in a long line of texts that channel women’s rage at living under patriarchy. It offers an escapist fantasy, but unlike most fantasies, the escape is not into a more perfect world, just one where women can call bullshit, some more murderously than others, on the increasingly impossible expectations that legislate our lives.

So writes Anne Helen Peterson at BuzzFeed about why thrillers like Gone Girl and The Girl on the Train have exploded in popularity over the past five years.

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Kelly Lynn Thomas reads, writes, and sometimes sews in Pittsburgh, PA. Her creative work has appeared in Sou’wester, Thin Air Magazine, Heavy Feather Review, metazen, and others, and she received her MFA in Creative Writing from Chatham University. She is hopelessly obsessed with Star Wars and can always be found with a large mug of tea. She also runs the very small Wild Age Press. Read more at kellylynnthomas.com.

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The Rumpus publishes original fiction, poetry, literary humor writing, comics, essays, book reviews, and interviews with authors and artists of all kinds. Our mostly volunteer-run magazine strives to be a platform for risk-taking voices and writing that might not find a home elsewhere. We lift up new voices alongside those of more established writers our readers may already know and love. We want to bring new perspectives into the conversation that will make us all look deeper.

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