Claire Burgess’s short fiction has appeared in Third Coast, Hunger Mountain, and PANK online, among others. Her stories have received special mentions in the Pushcart Prize and Best American anthologies, but haven’t actually made it into one yet. She’s a graduate of the Vanderbilt University MFA program, where she co-founded Nashville Review. She lives in Pittsburgh by way of the deep South and says things on Twitter @Clairabou_.
At Salon, Lydia Millet gets serious about sexism, climate change and extinction, and the literary establishment’s dismissal of funny books: “Important” serious books often seem to be picked based on…
Mallory Ortberg, founder of The Toast and general source of hilarity and wit, talks to the Guardian about her just-released book Texts from Jane Eyre, creating a humorous website for…
At Guernica, Rebecca Saleton, the editorial director of Riverhead Books who has worked with the likes of Hillary Clinton and Peter Matthiessen, talks about her experience in publishing over the…
Laurie Penny, journalist and author of Unspeakable Things: Sex, Lies and Revolution, talks to Flavorwire about feminism, Ferguson, and the harassment of female journalists online: The fact that there’s an…
At the Paris Review, Dwyer Murphy interviews David Gordon about transitioning from writing novels to stories, his time working for Hustler, and how he blends literary and genre fiction in…
At The Hairpin, Caitlin Doughty, mortician and author of Smoke Gets in Your Eyes & Other Lessons from the Crematory, talks about death positivity, women in the funeral business, zombies,…
A documentary about Joan Didion is in the works! Didion’s nephew, Griffin Dunne, and documentarian Susanne Rostock are setting out to tell her story through accounts from family and friends,…
At The Millions, Brooke Hauser compares Lena Dunham’s Not That Kind of Girl with Helen Gurley Brown’s seminal Sex and the Single Girl and finds, distressingly, that not much has…
At Melville House, Liam O’Brien delves into the fictional and factual history of book-writing computers, from Roald Dahl’s “The Great Automatic Grammatizator” to the Russian computer that rewrote Anna Karenina…
A story is different from an event . . . The event is what happens. A story is the mythology that rises from what happens. Often this mythology is where…
Becky Tuch, founder of The Review Review, talks about the growing diversity in literary magazines, badass female protagonists, and the problems with telling writers how to be good literary citizens:…