Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
Cohen is the perfect age to write such a book, having lived approximately an even number of years on either side of the pre-Web/post-Web divide. He gets “kids these days”…
“Craft” is a fluid term; used in aeronautics and astronautics to speak of a single vessel, or the skill of deception, or a verb analogous to “make.” Craft in literature…
Can we trust Sebald’s words? It doesn’t matter. The fragmented motifs, repeated images, are scattered throughout the texts and sweep you along to a conclusion, at which there magically appears…
But as Hallberg pointed out, context, not tradition, is what should decide or generate the style of any work of fiction. Chigozie Obioma considers the possibility and audacity of prose…
I’ve always been a late bloomer in some ways, and extremely precocious in other ways. When I was twenty I was living in New York and working a job and…
The church on Siegfeldstrasse was open to anyone who embarrassed the Republic, and Andreas Wolf was so much of an embarrassment that he actually resided there, in the basement of…
But no coverage of the book I’ve seen has discussed it as a novel fundamentally about gay lives—as the most ambitious chronicle of the social and emotional lives of gay…
While I’d never admit it, I’ve always harbored a shame about wanting to write. Even fictional characters who aspired to the same goal made me squirm with unease. Every Thursday…
In the finished novel, this journey will take up four sentences. My virtual mapping of the route will have almost no discernible impact on the prose that I’ve already sketched…