Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
Blogger and writer Ashley Ford is profiled at the Indianapolis Star. She talks about her childhood in Indiana, writing a memoir, and more: We’re never going to see eye-to-eye on what’s OK…
If Franzen is our genius realist, and DFW our genius postmodernist — how might they meld irony and sincerity? In an excerpt over at Salon from his new book, Keep It Fake:…
That morning, Blume, in a pink baseball cap and sneakers, was taking her daily two-mile walk on a path that snakes along the beach. At 8 a.m., the sun was…
According to Shaj Mathew, novelists are more and more approaching writing as conceptual art, creating “readymade” novels. You can read his take on the “Reality Hunger generation” over at The New Republic.
Leslie Jamison and Benjamin Moser tackle a long-debated question for the Bookends column: “Should There Be a Minimum Age for Writing a Memoir?”. They both agree there isn’t—you can read…
Placed after a mention of death or dying, Kurt Vonnegut’s “So it goes” refrain throughout Slaughterhouse Five utilizes repetition to explore the inevitability of death. Over at the Ploughshares blog,…
Greek for “of equal number of clauses,” isocolon is a rhetorical device that produces a sense of order by balancing parallel elements that are similar in structure and length within…
Here is what I mean by meta-fiction: all these books, stories, and bodies of work contain made-up books and bodies of work. Some are based on real books. Some are…
Not getting married and not having children are still controversial decisions for women. Over at the Los Angeles Review of Books, Minda Honey shares her own experience, and reviews three recent…
Mommy blogging has not, of course, been a panacea, remedying women’s undervaluation. In keeping with certain political ideals of the time, the Wages for Housework campaign sought to redistribute wealth…
In large part, I get to live it now because of those creative writing programs—one MA and one MFA—and also, at least equally, because of the time between them, which…