Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
What sets Bazan apart from artists like Sufjan Stevens and Death Cab for Cutie is his willingness to get a little darker and more intimate while evoking the pathetic ironies…
After many years of touring it as a ciné-concert performance, Christine Ott finally found a home for her Tabu, releasing it on Gizeh Records for its Dark Peak Series. In…
Amidst writing, producing, and starring in the FX series Atlanta and being cast to portray a young Lando Calrissian in an upcoming Star Wars installment, Donald Glover took some time to return to…
When it comes to musical legacies, Detroit’s is singular: talking about “Detroit sound” can refer to a jump into Motown’s soul vibes or a dive into the roots of techno’s…
If you were asked to name a Los Angeles solo musician who published his notable, kaleidoscopic debut album—made of orchestral arrangements, train noises, great melodies, and experimental cut-ups—in his mid…
At the Guardian, Zadie Smith writes about why dance is important for her and for her writing: The connection between writing and dancing has been much on my mind recently: it’s a channel…
For Atlas Obscura, Abby Norman retraces Barbara Newhall Follett’s mysterious history: She is called a child prodigy, a literary luminary, a spirit of nature. So why have so few people…
Over at the Quietus, horror master Adam Nevill revealed his favorite short stories from contemporary writers working in the field of modern horror to Sean Kitching.
So familiar have the aesthetic conventions of horror become that it is increasingly difficult to distinguish “real” Halloween movies from parodies. Something similar has occurred in our political life. At…
Derek Teslik tackles the importance of running for an author—and listening to Joyce audiobooks while doing so—in an essay over at The Millions: So, for this last run, I wanted to…
While I was in residential treatment, my Scrabble games with my mom slowed down. We both lingered over our turns, taking longer than usual to make the next move. Normally…