Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
Over at The Millions, Alex Lockwood shares what he learned from reading and readings during his first American book tour: I packed The Wave in the Mind into my luggage…
Over at the Los Angeles Review of Books, Kelly Blewett retraces a fragment of the long-needed queer history of children books: Nordstrom was also queer. Although it seems she rarely…
We both survived; we both grew up and made lives for ourselves. But I still can’t bear to think about that summer. We could have died so many times. Over…
At Catapult, Rachel Klein shares her experience as a mother of a transitioning child: I was worried, like most people are at their core, about myself. I was not being…
Apparently, Jonathan Safran Foer wasn’t the only one exchanging emails with Natalie Portman. At The Millions, Jacob Lambert shares excerpts from the supposed epistolary relationship between the actress and no less…
In this interview we talk about—well, Juliet especially comes correct about mental health and poetry and honesty and life in West Virginia and why she writes and how terrifying her…
But the question that’s been on my mind for a while now is how and why we’ve come to recognize certain tales as perennial (and universal) and have relegated others…
In Palmetto Landing, the men’s bodies existed in inverse proportion to those of their wives. Ahead of the publication of her much anticipated collection Difficult Women, out in January 2017, you can…
The stories are woven together with my life and my life moved across the globe as I wrote, so the stories too took that long journey. My map of becoming…
Each story was inspired by anything from a personal memory or a family anecdote to a news item or something I had heard happen to someone else. Or sometimes it…