Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
If Flaubert was ‘a man of the quill,’ then perhaps I am ‘a woman of the ear.’ My interviews aren’t interviews as such. Just talks. We just talk and my…
Carol Ann Duffy, the UK’s poet laureate, has invited three poets to join her on a road trip through England, Wales and Scotland, which will take them from Falmouth to…
But what about those writers who move to another country and do not change language, who continue to write in their mother tongue many years after it has ceased to…
My only real want along the way was to illuminate something about the human condition in a voice and from a point of view that could belong only to me.…
Since the accident, he hasn’t been the same. He talks a little lower. He’s isn’t quick to laugh. He takes more time to himself in the evenings, and isn’t his…
At one point in the conversation, Watts said: “I always imagined those soldiers using paintball guns, that the war was just a large-scale version of what we played as kids.”…
Over at The Collapsar, Brian Oliu pens a stunning essay on writing, running, and changing one’s perception of both the body and the prose: This, to me, is what a…
Certain ways of avoiding a childbirth scene in contemporary fiction have become almost predictable, as clichéd as the clothes scattered on the floor in a movie rated PG-13: the frantic…
Before this semester in Italy, I had enjoyed writing for school, but now for the first time I was driven to write for myself. I began to need to write…
Fabulism is a lot like this purse. It seems to belong to this world, but doesn’t follow all of the rules. It beckons you. It’s off. The more you explore…
Time to gather for Seder: over at McSweeney’s, Rumpus Funny Women Editor Elissa Bassist has a handy guide (or a cautionary tale) of conversation topics to get through Passover’s rituals.
Over at the New York Times, Ayana Mathis and Siddhartha Deb consider which subjects are most underrepresented in contemporary literature: joy and struggling for a place to live.