Katie Moulton’s essays and music criticism appear in Sewanee Review, The Believer, Oxford American, No Depression, Catapult, Village Voice, and elsewhere. Her work has been supported by fellowships from MacDowell, Bread Loaf, Art Omi, Tin House, and other organizations. Her audio memoir, Dead Dad Club, is forthcoming from Audible. From St. Louis, she now lives in Baltimore.
