Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
Allison Meier writes for Hyperallergic on the hand-drawn, recently digitized data visualizations produced by W. E. B. DuBois (in collaboration with others) to demonstrate the size and scope of black…
At Lit Hub, Adrian Van Young examines the quiet re-emergence in literature of Spiritualism, a mid-19th century industry that saw mourners and mediums attempt to transcend (or dupe) the boundaries…
when I worked for him I understood what kind of architect I wanted to be. He’s a very humane and generous person, and I understood that I didn’t want to…
J. Courtney Sullivan revisits The Baby-Sitters Club for Lenny Letter to discover its long-lasting popularity, as well as the Stoneybrook girls’ adaptation into the 21st century.
For Pacific Standard, Ed Cara explores the malleability of memory and the very real and frequent occurrence of false memories, via new work by criminal psychologist and memory scientist Dr.…
Rufi Thorpe writes for Vela on the responsibilities of writing and motherhood, and the transformation of a woman writer into an “art monster”: But any soldier will tell you that…
Writing for Aeon, historian Matthew Champion delves into contemporary research on medieval graffiti. Exploring graffiti (a visual medium) allows for historians to learn more about the actual lives of the…
Most of these sites were beloved exactly for that same dual sense of security and inclusion members loved — and when that sense was lost, from time or toxicity or something else,…
For Catapult, Kashana Cauley writes on the divide between feminist action and feminist discourse, and the deep class divisions that shape each permutation of feminism.
Corin Throsby writes for the Times Literary Supplement on the crafting of the mythological Lord Byron, whose death almost 200 years ago immediately prompted family, editors, publishers, and other writers…
At Seven Scribes, Daniel José Older examines the critical conversation surrounding Lemonade. In particular, Older addresses critics who wield the idea of an artist’s intention depending on the race of…
For Notches, a journal on the history of sexuality, Claire Hayward collects a series of responses from historians on writing queer history. These responses address the question, methods, and terminology…