P.E. Garcia is an Editor-at-Large for the Rumpus and a contributor to HTMLGiant. They currently live in Philadelphia, where they were recently accidentally elected to be Judge of Elections. Find them on Twitter: @AvantGarcia.
I’m more interested in someone like…Allen Ginsberg…people who are shameless because they have a sense of shame. What they’re really trying to do is to change the face of shame…
For me, the perfect metaphor for rethinking our relationship to other species comes in the form of a dog named “Human,”owned and “curated” by French artist Pierre Huyghe, in his…
I survived mine by moving a thousand miles north to a forest with a great college and eventually finding an excellent therapist. Electric Literature interviewed Wendy C. Ortiz about her…
For the New York Times, Phillip Lopate reviews Charles D’Ambrosio’s new essay collection, Loitering, and explains why he thinks that D’Ambrosio, in essays, has “found the perfect medium.”
I think there’s a lot of dissonance for women, where there’s how we want to live, and how we want to see ourselves, and then what our real circumstances are.…
Actually, I would compare the translator to a God—but unlike some false gods, he does respond to your prayers… Electric Literature interviews Alex Epstein, the author behind the True Legends…
The Ploughshares blog looks at Victorian hair art and the way it was woven into classics such as Wuthering Heights, Anne of Green Gables, and Little Women.
For Flavorwire, Jonathon Sturgeon declares 2014 the year that the postmodern novel died and the year that autofiction—a “new class of memoiristic, autobiographical and metafictional novels”—rose to take its place.
Anyone who simplifies a nation’s discourse misreads that nation. When you’re reading the texts of a recently created nation like India, which was only founded in 1947, you must know…
The Public Domain Review previews literature and art that will be entering the public domain in 2015, including work from Flannery O’Connor and Ian Fleming.