dustin illingworth
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Dread and Magic
Isn’t the crowd itself a kind of anti-literature, an intensely physical impediment to the inwardness required of poetry and prose? At Lit Hub, Dustin Illingworth writes about literature that theorizes “the crowd,” from Don DeLillo to Ezra Pound and Walter Benjamin, with horror…
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How to Title Your Next Novel
What patterns, dreams, and desires lie hidden within the ostensible hook of a novel’s title? Dustin Illingworth, for Lit Hub, explores the keys to a successful book title after considering, among others, The Sun Also Rises. They include not using the word “Trimalchio,” and…
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Marginalized
Why is marking a book indispensable to reading it? First, it keeps you awake — not merely conscious, but wide awake. Second, reading, if it is active, is thinking, and thinking tends to express itself in words, spoken or written.…
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The Influence of the Author Photo
There’s a moment not often talked about in the reading process: turning to the cover flap and seeing the face of the story’s creator. It’s a reminder that the story didn’t appear out of thin air, that a real flesh-and-bones…
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Introducing The Scofield
Welcome online to The Scofield, a brand new lit mag inspired by Scofield Thayer’s legendary The Dial. Edited by Tyler Malone, Dustin Illingworth, and Scott Cheshire, The Scofield aims for all its readers “to transcend our loneliness, to populate our solitude with…
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The Poetic Power of Pedestrians
By merely wandering, the dérivist frustrates the spatial logic of capitalism, in the process discovering new currents, fissures, and vortices of possibility within a deeply familiar space. Wandering and drifting have long been championed as means of inspiration, but how…
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Following Ulysses
To what extent am I reading Ulysses by following Ulysses Reader? What does “reading” even mean at this point, given our near-constant engagement with text? Over at Full Stop, Dustin Illingworth describes his relationship with Ulysses Reader, a Twitter account…
