Birdman boils down to the same essential question of how we spend our days, and how those days add up to our years. How we make our story matter, and whether legacy is the point of existence, in how we measure the worth of our lives.
This may be as close as Wes Anderson gets to making a political film. And he has found a way to make a political statement in his signature style, a style which for years has appeared immune to political statements of any kind.
If the only thing you’ve seen of the new Robert De Niro/Edward Norton film, Stone, is the trailer, you may feel that your membership in the Robert De Niro Disappointment…