If there was ever a case for women avoiding Botox, Diana’s signature skepticism for the patriarchy is it. She has never encountered womanhood as subordinate, and she’s not about to start.
Characters like Mary and Rhoda hadn't been turned into stereotypes of single women in their thirties or career women or divorcees. They couldn't be: they were the first.
As a teenager in the early 1970s there was no one I wanted more to be than Mary Tyler Moore. I was heartbroken by her recent passing. I still wish I was her.