Mozart
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The Storming Bohemian Punks the Muse #3: Clocking The Muse
It’s time to write a column, paint a picture, compose a song, draft an outline: whatever. Creative expression doesn’t happen by itself, we have to work at it. You know where this is going, don’t you?
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The Case for Opera
In a piece on a new production of Mozart’s “Abduction from the Seraglio,” the New York Times makes a case for this old art form’s role as an agent of change in our tumultuous cultural reality: For centuries, opera has been a…
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The Rumpus Interview with Paul Lansky
Paul Lansky talks about his career as a pioneer in the world of electronic and computer-generated music.