All of which adds up to a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’…
In a world where the selfie has become our dominant art form, tautological phrases like “You do you” and its tribe provide a philosophical scaffolding for our ever-evolving, ever more…
For the New York Times, Alexis Soloski profiles Ben Miles, who plays Thomas Cromwell in the production of “Wolf Hall, Parts One and Two,” the Royal Shakespeare Company’s stage adaptation of…
Jacqueline Woodson responds to Daniel Handler’s racist watermelon joke at the National Book Awards with a moving and direct piece in the New York Times. She neither condemns nor forgives…
Before he became an acclaimed novelist and political commentator, Gore Vidal was just a guy trying to make ends meet. Under three different pseudonyms, Vidal wrote a romance novel, three…
What is it like to hand your award-winning young adult novel over to Hollywood, 21 years after it was written? Lois Lowry talks to the New York Times about the forthcoming film…
Interactive digital storytelling: fiction’s next frontier? In the New York Times, Chris Suellentrop examines interactive technologies as used in Blood & Laurels, by Emily Short: Exploring those possibilities is one reason Ms. Short became a…
Ira Glass loses his voice; Ira Glass gets it back: The New York Times reports on This American Life’s risky split from PRI and venture into the world of independent programming (and don’t…
As any lover of literature might tell you, all books are not created equal. But this does not mean that there is nothing to be gained from novels that are,…