The Paris Review Daily
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Why Children’s Books Matter
In a piece featured on the Paris Review’s website, Sadie Stein encourages readers to check out the New York Public Library’s exhibition “The ABC of It: Why Children’s Books Matter.” The exhibition features original sketches and manuscripts of beloved children’s…
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We All Contain Multitudes of Tacky
Ever droll, Sadie Stein writes in the Paris Review about the reaction we’re (all) prone to have when people recommend literature based on our professed likes and dislikes: When someone says I will like something, I tend to assume the something in question will…
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A Great Escape
I came from, not a small town, but basically not a very interesting place…So it was very important for me not to rebel but simply to get away, to go away. Travel writing doesn’t have to be lackluster. It can…
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Wanting to be Wanted
The girls described in Emma Cline’s essay “See Me” are hopelessly lost in their shared desire to be noticed. Cline begins her essay by reflecting on her own adolescence experience of corresponding with a middle-aged man who promised to cast her…
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Writing on Trains
“Why do writers find the train such a fruitful work environment?” This is the question Jessica Gross sets out to answer in a recent piece published by The Paris Review, in which she describes her experience on a train to Chicago.…
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You Are Fated to Sleep
Sadie Stein makes the worst coffee, or so she says in the Paris Review. Her coffee is always “awful in a different way,” sometimes too bitter, and at other times, too weak. Stein reflects on her childhood love of Sleeping Beauty:…
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David L. Ulin On Writing
David L. Ulin writes about his first book(s) in an essay featured by The Paris Review. He recounts boyhood ambitions, drafts that never came to be any more than that, and the labors that resulted in a book that he…
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The Power of Fiction
But what I loved most about Baldwin’s writing was that he didn’t make me feel, as a young white guy, that I had no right to be thriving on his work and taking it all so personally… I could see…
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Learning How to Write
“The Apparent Author,” Meriç Algün Ringborg’s latest exhibition in Istanbul’s Gallery NON, presents a sound installation of an author talking about “her artistic goals, ambitions, and potentials,” as Rumpus contributor Kaya Genc writes in The Paris Review. Genc makes a…
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A Writer’s Best Friend
As the saying has it, a dog is a man’s best friend, but dogs are not always the pets of choice among the literary greats. Ernest Hemingway had his six-toed cats, Flannery O’Connor had her peacocks, and Vladimir Nabokov had…
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On Faulkner and Cocktails
There are two Faulkners, and each of these Faulkners is embodied by one of the author’s two favorite drinks, as Robert Moor posits in a recent Paris Review article. The julep is High Faulknerian. Taking in the dense, lush language in…
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On Publishing and Letting Go
“It’s even possible that there’s something retrospective in the nature of writing itself. Probably every writer’s first piece of writing, if it were possible to excavate such a thing, would be found to look backward. Writing tries to fix the…