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Posts by: David Biespiel

David Biespiel’s Poetry Wire: Politics and Post-Modernism?

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No one can know for sure what literary historians will make of it, least of all me as I pound out an editorial about poetry every week. But if I were a betting man, I would wager that the most significant literary event this month is not going to be the Poetry Foundation’s splashy new anthologies for school teachers.

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David Biespiel’s Poetry Wire: Allen Ginsberg’s Howl meets Gay Marriage

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Yesterday was the 56th anniversary of the day that U.S. customs agents seized some 500 copies of Allen Ginsberg’s Howl on the grounds of obscenity. Yesterday and today, the Supreme Court of the United States heard two cases regarding marriage. The first one yesterday, regarding California Proposition 8, addressed the right to marry the person you love.

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David Biespiel’s Poetry Wire: Poesis Delenda Est!

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I’ve never much gone in for shoot ‘em up movies. I’ve never seen Terminator, other than the most famous clip (“I’ll be back”). I can’t stomach Quentin Tarantino movies or, his precursor, Sam Peckinpah. I went to see No Country for Old Men because my 17-year-old son kept taunting me that I couldn’t consider myself an educated person if I didn’t, and I was worried he might be right.

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David Biespiel’s Poetry Wire: “Daddy, what did YOU do in the great ‘Poetry Is Dead’ war?”

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Read poetry, what else? That’s the greatest military maneuver in the ‘Poetry Is Dead’ war, isn’t it? It’s where the odds are longest, the risk greatest, kind of like Lee at Chancellorsville.

It’s where you can ward off the absurdities, the silliness, the dismissiveness, the walk-backage, as well as the battles that took place on a three-thousand mile front of American Poetry Outrage.

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David Biespiel’s Poetry Wire: What Alexandra Petri Should Have Said in the Washington Post.

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Kelly Clarkson’s Inaugural Song Means the Death of Country Music

Inaugural country singer Kelly Clarkson said that her story is America’s story.

If that’s the case, America should be slightly concerned. Ms. Clarkson is a walking example of the American dream — as she eloquently puts it, “the American story is in many ways my story — I even played Brenda Lee in a TV show called “American Dreams.’”

She has overcome numerous obstacles, struggled against opposition both internal and external — in order to excel in country western singing, a field that may very well be obsolete.

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David Biespiel’s Poetry Wire: A Poet and a President

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A funny thing happened on the way to President Obama’s second inauguration Monday. The president’s speech and Richard Blanco’s poem got reversed.

Broadly speaking, one’s expectations of political rhetoric is that, at its worst, it reduces complex argument to slogans and platitudes or, at its best, that it singles out constituencies and individual citizens in order to focus on the day-to-day concerns that society can address.

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David Biespiel’s Poetry Wire: Bruce Lee’s Advice to Poets

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Who isn’t a devotee of advice from writers about writing? One of my favorite books in this guilty-pleasure genre to come out lately is Dennis O’Driscoll’s collection of witticisms and one-liners, Quote Poet Unquote: Contemporary Quotations on Poets and Poetry.

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David Biespiel’s Poetry Wire: Is Franz Wright the Rush Limbaugh of American Poetry?

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I had intended this week to write about gratitude. To express my thanks to all the new readers of Poetry Wire and The Rumpus and to wish you all a pleasant Thanksgiving. I wanted to say something about the necessity of thankfulness in art and poetry, to say that this week I rededicate myself to having kind thoughts, to not get angry or think badly about others, to work to the benefit of others as much as I can.

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David Biespiel’s Poetry Wire: 9 Post-Election Political Poems You Must Read Before You Die

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I’m writing this on Tuesday, November 6, Election Day. Full disclosure, today I will vote to reelect the president. As John F. Kennedy once said, “You can milk a cow the wrong way once and still be a farmer, but vote the wrong way on a water tower and you can be in trouble.”

So, whatever may be happening after today, and I hope the election is resolved, if you’re looking for some serious respite from the post-mortem and the voting stress, just remember two things: first, elections have consequences and they are real and, second, there are just 1,461 days until Election Day 2016 — I’m talking to you, Hillary Clinton.

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David Biespiel’s Poetry Wire: Why I’m Quitting Ezra Pound

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Ever heard that gobsmacking troubadourist Ezra Pound read his elaborate, funkified sestina, “Sestina: Altafore,” in a voice that is one part American-as-European, swilling-with-the-rolling-R’s accent and cantorian swoons and another part a sort of goofy Hailey, Idaho carnival barker? The nifty Open Culture website is featuring a recording on its blog right now.

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