Posts by: David Biespiel

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David Biespiel’s Poetry Wire: The Poet’s Journey: Chapter 10

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Becoming a poet means locating what images and symbols, what argument and figuration, are best suited to convey the aspects of change you most want to reveal through your writing. ...more

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David Biespiel’s Poetry Wire: The State of American Poetry Address

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Poets, Poetesses, and Unacknowledged Legislators of Mankind:

I address you at a moment unprecedented in the history of Poetry. I use the word “unprecedented,” because at no previous time has American poetry been as seriously threatened as it is today.

Since the permanent formation of the art of American poetry under the Constitution, in 1789, most of the periods of crisis in our history have related to our narrative affairs.

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David Biespiel’s Poetry Wire: A New Poetry Emerges from Iran

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If war is a defeat for poetry, what is diplomacy? Like poetry, diplomacy involves craft and discretion, finesse and poise, skill and subtlety. It requires canniness, deliberation, presence of mind, and shrewdness, as well as providence and wisdom.

I’ve been thinking about what poetry might tell us about the landmark deal the United States and five other world powers made this week with Iran to curb its nuclear program in an effort to prevent Tehran from building nuclear bombs.

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David Biespiel’s Poetry Wire: News of the Weird in Poetryland

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New book reports postmodernists forced to write in rhyme and meter

Exposing widespread abuses faced by beginning poets writing in postmodern verses, a new book titled “Between the Lines,” revealed that poets who write post-experimental poetry are forced by their betters to write, sometimes as often as fifteen times a day, completely in rhyme and meter.

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David Biespiel’s Poetry Wire: 10 Burdens for American Poetry

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As with the myth of America, America’s poets believe a poem should go from rags to riches. And yet, why so much surprise when it actually happens?

There is more to American poetry than its genial and hospitable prairie lands. And yet the poetry of its postmodern coasts all too often acts like an immigrant who is naive about the nation’s enigmas and repugnances.

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