Posts by: Rick Moody

SWINGING MODERN SOUNDS #34: Excesses of Penis

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The early, formative period of rock and roll criticism produced three great and indelible voices, three voices that have gone on to influence every writer who has written about popular music in the years since. Those three voices belong to Richard Meltzer, Lester Bangs, and Greil Marcus.

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Bella Santorum

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Moral problems that do not fit tidily into preconceived ideas are fascinating and a good way to occupy oneself in the years of Mild Cognitive Impairment. Moral problems, when sufficiently complex, require complicated sentences, and I enjoy complicated sentences.

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SWINGING MODERN SOUNDS #23: The Tragedy of Consciousness

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Recently, I’ve been digging again through the wilds of the CD Baby site, where no print run is too small and no approach to music is too individual, and in this regard I have found a lot of great work recently, some of which I will deal with here soon, but none of it more interesting than an Italian exponent of extended vocal technique named Romina Daniele.

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SWINGING MODERN SOUNDS #16: Indeterminate Activity

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Lovers of contemporary experimental music will likely remember the moment in the early eighties when John Cage, the godfather of minimalism and of most New York City experimental music, referred to Glenn Branca (he of the pieces for ensembles of multiple electric guitars) as having “fascist” qualities.

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SWINGING MODERN SOUNDS #14: Nine Thousand Words On The Size Queens

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sizequeens2The following is a record review in dialogue form conducted between this columnist and Michael Snediker (with whom I corresponded about Antony and the Johnsons a couple months back), the poet and literary critic. We were shooting for ten thousand words about the Size Queens, until Michael fell deeply in love and, simultaneously, started preparing for his fall classes back in Ontario.

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