Posts Tagged: Adam Sternbergh
Vivien Goldman and Sarada Rauch join the Segue Series. Zinc Bar, 4:30 p.m., $5.
Sunday 5/21: Tobias Carroll, Julia Strayer, Bruna Dantas Lobato, M’Bilia Meekers, and Piper Weiss join the Pigeon Pages reading series....more
A recent New York Times report showed that e-book sales are declining while printed book sales are doing well. Over at Lit Hub, Adam Sternbergh argues that the printed book is going nowhere, for at least another 500 years:
Whatever medium the music is delivered in, the song remains the same—once it gets to your headphones, it doesn’t really matter what form it arrived in (esoteric preferences for the “warmth” of vinyl notwithstanding.
Should writers retweet their own praise? Insofar as Twitter is a platform for self-promotion, sharing positive reviews seems logical—but when a publishing medium does double duty as a sphere of social interaction, this logic gets complicated:
Twitter, as a public platform, is intrinsically performative (to pretend otherwise is disingenuous), yet the performative nature of it is undercut and often ameliorated in ways that make Twitter tolerable and even enjoyable, by some level of honesty…In that way, Twitter and its ethics are not so different from, and no more thornier than, actual life.
Over at New York magazine, Adam Sternbergh’s written an intricate, affecting, and (honest to god) shocking elegy in awe of the emoji. If he comes to a single conclusion, it’s that every single one of them is here to stay:
Over 470 million Joy emoji are being sent back and forth on Twitter right now—which makes the Joy emoji the No.
Adam Sternbergh, author of Dystopian novel Shovel Ready, asked whether readers are burning out on the Dystopian novel. He goes as far as suggesting that perhaps the next great novel will be a Utopian one. Emily Temple, writing at Flavorwire, explains why Utopias don’t make good novel settings:
The reason that utopian novels are far and few between is that a utopia is, on a very basic level, just not a good topic for a novel.
Saturday 1/11: Wayne Koestenbaum and Olivia Laing discuss famous creative people. Laing’s The Trip to Echo Spring: On Writers and Drinking (December 2013) explores several writers and their relationship to alcohol. Koestenbaum’s essay collection My 1980s (August 2013) examines various cultural icons....more
“Because you can no longer gather thirty people to make one funny thing anymore — they’re all busy making their own funny things, online and alone. The Internet changed music because it gave us new ways to acquire it, but the songs and the bands remained more or less the same....more