Posts Tagged: adaptation
Cable television channel FX has purchased Meaty, a comedy series based on Samantha Irby’s memoir of the same title. Developed by Irby, Jessi Klein (head writer for Inside Amy Schumer, author of You’ll Get Over It), and Abbi Jacobson (Broad City, author of forthcoming Carry this Book), the show will focus on “failed relationships, taco feasts, her struggles with Crohn’s disease, poverty, blackness, and body image.”...more
For a story in a different medium this week, check out Amber Sparks’s “Thirteen Ways to Destroy a Painting” from this year’s The Unfinished World—adapted to a radio play. It’s brought to your ears by NPR’s truly excellent storytelling podcast Snap Judgment and read by Thao Nguyen of the San Francisco-based folk-rock group Thao and The Get Down Stay Down....more
For JSTOR Daily, Ellen C. Caldwell examines historical “memory-making” and our changing interpretations of historical events over time. Caldwell focuses on the 1746 Battle of Culloden, a battle that ended the Jacobite Uprising and decisively transformed the British monarchy and Scottish Highland culture....more
NPR traces the history of Stephen King’s Misery from the novel, to the film, and, most recently, to the stage, and argues that this journey may have caused the story t0 lose a few key components:
It is almost literally drained of blood and, more important, it is drained of urgency.
Have you heard the good news? Singer-songwriter Patti Smith’s memoir, Just Kids, about her relationship with photographer Robert Mapplethorpe, is going to be made into a mini-series. The Guardian reported that Smith will co-write the show with John Logan (who created Penny Dreadful for Showtime)....more
It’s not like it’s the first time the book has come around in a different medium, so why not comics?
Fear and Loathing in Las Vegas is a deeply visual book, and while Terry Gilliam’s film adaptation is nothing if not visually stimulating, it lacks some of the power of Thompson’s language....more
Margaret Atwood’s Oryx and Crake has been adapted for HBO, and the good folks at Vulture have asked her about it. She riffs on language, Comic-Con, and The Hunger Games’ “stimulated environment”:
I think the real issues there are moral: Would I kill my best friend?