Posts Tagged: Aimee Bender
Every good story is rooted in conflict, and most of us learned the different types of conflict in our high school literature classes like clockwork, year in and year out: man v. man, man v. self, man v. society, man v....more
The classic children’s book Goodnight Moon is a model example of successful narrative structure, argues Aimee Bender in the New York Times. The story follows enough traditional patterns to be satisfying, but also deviates in new and unique ways:
“Goodnight Moon” does two things right away: It sets up a world and then it subverts its own rules even as it follows them.
Somewhere between its Kmart and hysterical phases, literary realism got shaken up, when a group of young women writers began crafting a spectral brand of fantastical, strange fiction….Permeating the stories is a sense of omnipresent strangeness made visible.
The Los Angeles Review of Books has a great piece on “our current bumper crop” of women writing—choose your favorite term—magical realism or speculative fiction or just really cool weird stuff....more
The luminous Aimee Bender talks about writing short stories, the importance of liking and defending your characters, and relying on the unconscious instead of intention....more
Every Monday I link to very short fiction I like that I hope you’ll like too:
“When we reach the street, the houses are dark, except for one—the grey one with the white trim, chain link fence, black oak tree.” — At Waccamaw, “A House Made of Stars” by Tawnysha Greene.
“On the street the air is fifty knives of cold. This is not Alaska. Why did we move here?” — At Fiction Southeast, “Winter” by Aimee Bender....more
I’ve been writing this column off and on for a few years now and I thought I’d shake it up a bit by turning it into a dialogue....more
I don’t think of anyone specific while writing, and I don’t want to get caught up in imagining what a reader might think because I do think that can get distracting. But I just think it has become clearer to me that writing is making a vessel to send to a reader....more
In his introduction to the issue, guest editor Jim Shepard says, “I’ve been drawn to protagonists who are geniuses at knitting together self-indictment and self-exoneration in ways that are both unconscious and calculated. Protagonists who leave us to sort through what they’ve figured out, what they can’t figure out, and what they won’t try to figure out about themselves.”...more
This week in New York Stephen Colbert celebrates Ulysses, Lou Reed and Laurie Anderson are King and Queen of the Mermaid Parade, Heidi Julavits interviews Aimee Bender at Symphony Space, Gordon Lish MCs the NY Tyrant reading, Ann Beattie reads at Book Court, Mary Caponegro headlines the Big Other extravaganza, Light Industry presents short films curated by Jack Stevenson, CLMP colonizes Housing Works for its Giant Lit Mag Fair, and BAMcinemaFEST continues....more