Arielle Greenberg
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Trust in Action: Talking with the Editors of Fat and Queer
Co-editors Bruce Owens Grimm, Miguel M. Morales, and Tiff Joshua TJ Ferentini discuss FAT AND QUEER.
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The Authentic Self: I Live in the Country & other dirty poems by Arielle Greenberg
Every poem in I Live in the Country sells what it’s craving.
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(K)ink: Writing While Deviant: Emily Smith
A writer must push her pleasure into risk, expose herself publicly to strangers with no knowledge of how she might be received, and become something that must be seen.
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ENOUGH: The Conversation Is Just Beginning
A Rumpus series of work by women and non-binary writers that engages with rape culture, sexual assault, and domestic violence.
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(K)ink: Writing While Deviant: Claire Rudy Foster
It is about the essential parts of story. The bones. The steel rods and rings. The skin that goes white with tension. Tolerating that kind of discomfort takes practice, yes, but it is exhilarating.
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(K)ink: Writing While Deviant: E. A. Longfellow
The way I think about my writing is similar to the way I think about my kink—both have to do with history and the ethics around appropriation.
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(K)ink: Writing While Deviant: Jennifer Gilbert
Trauma steals meaning and expression. BDSM and writing create them.
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The Rumpus Interview with Arielle Greenberg
Arielle Greenberg talks about her new collection, Locally Made Panties, the possibility of feminist pornography, and curating her Rumpus column, (K)ink: Writing While Deviant.
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Eileen Myles Is a “Hall of Mirrors”
Famous people are of course the repositories for the hopes, dreams, and shames of the non famous. Arielle Greenberg, editor of Rumpus series (K)ink: Writing While Deviant, writes searchingly about herself, Eileen Myles, poetry, and fame for the Poetry Foundation.
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(K)ink: Writing While Deviant: Janet W. Hardy
In this ongoing series, writers in all genres explore the intersection between our literary lives and practices and our BDSM and fetishistic lives and practices.
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The Rumpus Interview with Elisa Albert
Elisa Albert discusses her new novel, After Birth, postpartum depression, childbearing, and the misogyny of modern medicine in pathologizing the normal processes of birth and the female body.
