charlie kaufman
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From the Archive: FUNNY WOMEN #139: Gap Year To-Do List
Water is a precious resource; my portable soda stream honors that fact.
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Not Quite Human
For the second time that day, then, I waited in the dark for something not quite human—and all too human—to begin. If you haven’t seen Charlie Kaufman’s new film Anomalisa, we highly recommend that you do. And then after, read…
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Anomalisa, the Insanity of Capitalism, and the Power of Culture
Our insane system: does it feel too risky to bring this up in the mainstream press?
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(K)ink: Writing While Deviant: Tina Horn
I would go so far as to say that the entire reason I write is to detect all the irony that language allows and twist it around the truth like razor wire and ivy. That’s how I like my truth:…
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Charlie Kaufman to Write Film Adaptation of Vonnegut’s Slaughterhouse-Five
Guillermo del Toro (director of Pan’s Labyrinth and the upcoming movie Pacific Rim) has recently announced that he has selected Charlie Kaufman as the writer of the screenplay for del Toro’s film adaptation of Kurt Vonnegut’s Slaughterhouse-Five. Kaufman, famous for writing the screenplays…
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A Story of Equine Intimacy
“She had big brown eyes, long eyelashes, and a light brown mane and tail. It may not seem possible but I saw a shy smile on her lips. She tried to make believe that she didn’t notice me.” At BOMB, an…
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Synecdoche, New York: The Shooting Script
What follows is the introduction to Synecdoche, New York: The Shooting Script, by Charlie Kaufman:
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THE EYEBALL, The Rumpus DVD Column: Synecdoche, New York
These movies pass through our lives, take up two hours of our time, and go along their merry way. Recently I enjoyed Preston Sturges’s The Lady Eve, Orson Welles’s masterful Touch of Evil, and a collection of Pixar shorts. I…
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The Eyeball, a New Blog by Ryan Boudinot
Introduction I think the best criteria for judging the quality of a film is whether you’re still thinking about it a week after you watched it. Then there are those films we return to in our thoughts time and time…