Posts Tagged: eileen myles
Eileen Myles has been a badass writer for a while now; she tears down what needs be torn down, unapologetically, and fosters a communal feeling, inspiring others to do the same. During the time this poem was published in Not Me, Myles famously ran for president in a write-in campaign—and for many, Maggie Nelson among them, Myles is absolutely our president....more
We had to ask everyone. Not just the people who looked “good” to get money from. And that was great because of course I was surprised by who responded and who didn’t. I feel, in general, in my life at this moment, I’m very aware of how off my preconceptions are, whereas I’ve always thought I had good instincts.
Fonograf Editions, a new Portland-based vinyl record-only poetry press that aims to publish two to three spoken word poetry records on vinyl each year, is set for its first release on May 17 with Aloha/irish trees by Eileen Myles. The collection features a total of 36 selected and new poems on two sides....more
As we said our vows, we were undone. We wept, besotted with our luck.
Maggie Nelson, interviewed by Paul Laity for the Guardian, talks about her life before and during her deservedly acclaimed autobiotheoreticalnovel The Argonauts, from following Eileen Myles to New York after graduate school to the investigation of her aunt’s brutal murder, and the love she’s found and made continually new....more
If you’ve ever wanted an unfiltered glimpse into the inner life of your favorite author, celebrity, or athlete, new philanthropic project Read by Famous gives you that chance. Artist Josh Greene, the project’s organizer, has gathered more than 100 copies of well-read, well-loved, and much commented-in books by authors such as Junot Diaz and Eileen Myles, as well as CEOs, celebrities, athletes, famous Canadians, and more....more
Valentine’s Day, the annual celebration of romance, named after a martyred saint who doesn’t have anything to do with love, is almost here. In recognition of the holiday, The Cut is providing a refreshing counterpoint to the flowers-and-chocolates narrative with “True Romance: five days of stories about love as it’s actually lived,” which includes a tale of loving a con artist, the story of a shotgun wedding, and a simultaneously depressing and uplifting account of romance after ten years of marriage (a highly recommended read)....more
I think it would be a great time for men, basically, to go on vacation.
Eileen Myles is interviewed by the New York Times, touching on poetry’s place in politics, and men’s place in either: open femaleness, memorable lines, and the many acts available to us after our first—short and sweet from poetry’s best....more
We’re at that point in the holiday shopping season where if you don’t already have a gift for someone, you either have to deal with the other last-minute shoppers in stores, pay an outrageous shipping rate online and hope the post office/shipping company gets it to you on time… or buy something a little more abstract, like a subscription to something....more
I think that’s avant-garde—the meeting of need and language.
Over at Lit Hub, contemporary poetic hero Ben Lerner sits down with contemporary poetic heroine Eileen Myles to talk about vernacular, supercilious labels, the trials and tribulations of a young poet after fame, and a mutual confusion over what a “folk poet” is....more
All class is a privilege, even the lowliest have a vernacular that is all their own that they use to keep people in and keep people out. I like to use a lot of vernaculars next to each other in awkward ways because we all deal with the filters of the larger culture which is always trying to decide if you know what you’re doing.
One of the more mind-blowing get-togethers to take place in the last ten years occurred in Havana, Cuba, when Fidel Castro led a unique international conference that brought together participants in the Cuban missile crisis from the U.S., the former Soviet Union, and Cuba to discuss the events of October 1962....more
“Let me say and I probably mean this in the most manifesto-ing way that genres don’t exist. They don’t exist at all. They serve the needs of marketing, of academic specialization, even as modes of work, but in terms of meaning or content or associative formations they are like traffic lights—not so interesting and most adamantly not what we are doing today.”
The New Inquiry conducts a five question interview with Eileen Myles....more
From these two new books, the reader can gather that it isn’t just the day that is strong and can withstand change, but the same words can be applied to the speakers of these poems and to Myles herself....more
Welcome to The Rumpus’s National Poetry Month project. We’ll be running a new poem from a different poet each day for the month of April.
CA Conrad and Eileen Myles have an extensive conversation over at BOMBLog. Topics include Myles’ new “poet’s novel” Inferno, how memory’s role differs in composing poetry versus fiction, and writing as a woman or queer. Plus much more.
“…When you admit the presence of a choosing, intervening mind in your writing, if the writing itself lurches a little, stops and starts at irregular intervals, and if in that same time you also look at something ugly or sad for too long—be it femaleness or queerness or age, or poverty—well, people will very likely have to put your book down and you with it....more
This week, Rumpus books reviewed a novel, a short story collection, and a graphic novel. We also featured interviews with Eileen Myles and McSweeney’s publisher Oscar Villalon. Come catch up....more
In New York this week, James Frey and Maira Kalman at the CLMP Spelling Bee, members of The National collaborate with visual artist Matthew Ritchie in The Long Count at BAM, Sherman Alexie and Chuck Klosterman read, Guernica Magazine turns 5, Performa 09 begins, Literary Death Match returns to New York, and Lawrence Weschler presents Halloween Wonder Cabinet....more