The Rumpus Interview with Leni Zumas
I am fascinated by tiny, incremental changes, almost imperceptible shifts in how people orient themselves in the world, because those are in some ways the most hopeful.
...moreI am fascinated by tiny, incremental changes, almost imperceptible shifts in how people orient themselves in the world, because those are in some ways the most hopeful.
...moreReading Leni Zumas’ debut novel The Listeners puts one in mind of the Boston Molasses Disaster of 1919. Not because the novel is messy—it isn’t—but because it contains the same rare combination of death, absurdity, and beauty, and a tempo slow enough to allow the reader full appreciation of all three.
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The May 2010 online issue of Gigantic is up with fiction from Mike Young, Erik Morsink and M. Callen. The art/lit journal also has a talk between Gibby Haynes (of The Butthole Surfers) and Joe Wenderoth (Letters to Wendy’s) that covers cloning, clowns, cannons, race and monotheism with Wenderoth’s unusual curiosity, candor and rigor.

This week in New York 2010: Whitney Biennial opens, Gigantic holds a launch party for Issue 2: Gigantic America, Anderbo Reading at KGB, Mary Karr talks with Philip Gourevitch, MOMA premieres documentary about Mikhail Khodorkovsky–Russia’s wealthiest man and one if its most controversial figures, Ted Conover reads, André Aciman talks to Paul Leclerc, and Sam Mendes directs The Tempest at BAM.
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