Ottoman Empire
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We Are More: Shattering the Ethnic Monolith Myth in The Gimmicks
To say the past is in the past ignores the abundant ways it controls their lived experience.
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The Promise of Werfel’s Musa Dagh: Portraying Genocide in Fiction
How does a fictional account come to stand in for history?
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TORCH: Blood Trauma
But still: A pattern. The trauma had been diluted by time. But, it was still present, still discernible, in my blood.
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On the Road
In his monthly series “The Lives of Others” over at the Paris Review, Edward White introduces us to globe-trotting Turkish writer, Evliya Çelebi, and the esoteric but lively book of travel stories he penned almost four centuries ago: Evliya so adored…