Philip Larkin
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The Rumpus Poetry Book Club Chat with Erin Belieu
Erin Belieu discusses her new collection, COME-HITHER HONEYCOMB.
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The Rumpus Poetry Book Club Chat with Shane McCrae
The Rumpus Poetry Book Club chats with Shane McCrae about his new book The Animal Too Big to Kill, listening to music while writing, addressing God in poetry, and The Oak Ridge Boys.
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The Saturday Rumpus Essay: On Madness and Mad Men
In my eight years as a Mad Men fan, the series has repeatedly prompted me to reflect on parenting.
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Larkin’s Social Anxiety
Philip Larkin disliked literary parties. He also disliked giving lectures. His general dislike of public and social events led the British poet to push back against attempts to nominate him for a prestigious Oxford professorship. He also turned down the poet laureateship…
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David Biespiel’s Poetry Wire: Mask and Dance
Anyone writing a poem knows that you first open yourself and then a poem builds from what you yield. As a poet, you are the carrier of life.
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The Sunday Rumpus Essay: We Are Not Dead
“The wants and desires of dead people, the one’s they didn’t get to fulfill—that’s what slays me…What if they wanted more? What if they didn’t want to leave behind the things they left behind?”
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The Rumpus Late Nite Poetry Show: Daniel Anderson
In Episode 5 of The Rumpus Late Nite Poetry Show, Dave Roderick sits down with poet Daniel Anderson to chat about his latest collection, The Night Guard at the Wilberforce Hotel, finding the rhythm in lines of poetry, and baseball.
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David Biespiel’s Poetry Wire: The Poet’s Journey: Chapter 6
As a poet you are called to be absorbed and aroused and enchanted and intoxicated and beguiled. You embrace occasions that leave you seduced and transfixed, overpowered and enraptured.
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Kids Kill Art or Art Kills Kids
With a unique family led by performance artist parents, Kevin Wilson’s The Family Fang warns of the dangers of conflating art and life.
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Poetic Lives Online: Links by Brian Spears
I love Philip Larkin’s “An Arundel Tomb.” He hated it. On a side note, I really love that the BBC is willing to spend 30 minutes on the story behind a single poem. This is, I think, a good way…