Posts Tagged: Ploughshares
Authors aren’t the only ones facing rejection. Literary agents receive rejections after sending out their authors’ writing to editors, and they also get rejected by authors that they want to represent. Over at Plougshares, Eric Nelson reveals a few more insights into life as a literary agent....more
The stories we read as children often stick with us for a lifetime, and so children’s literature can have a far greater impact on readers than books written for adults. Writing in Plougshares, Annie Cardi explains how children’s literature influences young people at a critical life stage:
As a young reader, you’re still forming your ideas and beliefs about the world and how you function within it.
An editor’s first look at a writer’s work is in the query letter. Steph Auteri, writing in Ploughshares, explains how writers can improve their introductions, and why it matters when they try to publish.
The best way to make an editor’s life easier is to make their decision to publish or not publish a no-brainer.
I tend to think it is an ill-defined term, not a useful way to think of most fiction, and it spawns some of the worst criticism.
Objects make for excellent writing prompts, Anca Szilagyi declares on the Plougshares blog. Objects can ignite memories or serve as a simple writing exercise tool. And objects within a narrative define how characters interact in a world. But be warned, there are dangers:
Vladimir Nabokov writes of a curious condition.
Ploughshares list 14 ways to tick off a writer. Here are two:
Say this to a writer and see what kind of look you get:
“Email saying you want to be a writer too, and you notice the writer lives in the same city, and you wonder if he could spare two hours sometime soon to have coffee and fill you in on how this whole writing thing works.
The two central myths are one, that literary citizenship is all about self-promotion, and two, that it’s connected deeply to the “marketplace.”
In an interview for Ploughshares, Tasha Golden talks to “writing geek” Stephanie Vanderslice about teaching the business side of a creative writing career....more
“Perhaps what is most important is that Frangello’s characters are larger than the futuristic space they occupy, and I’m not sure that many narratives in such a setting can boast this.”
In his introduction to the issue, guest editor Jim Shepard says, “I’ve been drawn to protagonists who are geniuses at knitting together self-indictment and self-exoneration in ways that are both unconscious and calculated. Protagonists who leave us to sort through what they’ve figured out, what they can’t figure out, and what they won’t try to figure out about themselves.”...more