Posts Tagged: Ta-Nehisi Coates
These days there are so many screens showing superheroes one can almost forget that they came from comics. Ta-Nehisi Coates talks to Vulture about storytelling, representation, and the places where movies fall short:
We’re talking about something that’s so surreal it’s just not possible within the world as we know it.
The latest issue of The Atlantic Monthly just went live, and the feature story by Ta-Nehisi Coates is a monster. It’s about making the moral case for reparations, but it expands the conversation surrounding this topic in two ways. The first way it does this is by pointing out, in vivid detail, the way that the exploitation and mistreatment of blacks in the US is an inextricable part of our history and that it continues to this present day....more
Not to overload anyone on political coverage, but Ta-Nehisi Coates’s reaction to the George Zimmerman trial is an absolute must-read.
In it, he looks at the actual legal text involved in the case and points out that what’s so deeply frightening about it isn’t that the verdict flouted the law; it’s that the law—and in many ways, the entire concept of American justice—is written to enable this kind of verdict....more
You may have noticed one or two jokes about Brad Paisley and LL Cool J’s collaboration “Accidental Racist,” partially because of every aspect of the song, but mainly because of every aspect of the song.
But Ta-Nehisi Coates puts humor aside for his response in the Atlantic, choosing instead to “seriously and directly engag[e] Brad Paisley and his stated motives for the song.” And he does it really well:
“Booming System” is dope.
Byliner’s list of spectacular nonfiction articles of 2012 highlights two complementary essays from the Atlantic‘s Civil War issue.
First, Yoni Appelbaum uses a hyperrealistic “cyclotron” painting of the Battle of Gettysburg as a pin to puncture the national narrative that the Union and the Confederacy were equally noble, and that veterans from both sides had only to recognize their mutual heroism to become “comrades.”
Ta-Nehisi Coates takes on the same battle and the same narrative (as well as the same Faulkner passage) from a different perspective....more
“…Prejudice is a kind of cartel that works best when there is no real dissent. Once one person breaks away, others who may have had doubts find it easy to speak up. Moreover, those who never really had objection–but were just kinda going along–also fall away.”
As more public figures express their support for marriage equality, Ta-Nehisi Coates analyzes the nature of same-sex marriage opposition....more
This Ta-Nehesi Coates Atlantic piece takes a closer look at what caused the rift between abolitionists and suffragists, despite their many shared values.
“I think one way of looking at this — among many others – is to not look at the movement post-1865, but post-1835, when abolitionist women, like Anthony and Stanton, were subject to unbridled sexism among their allies and enemies alike....more
“Rogers tried to explain the effects of the Emancipation Proclamation to the woman. “‘Well, you’ll have to fight your way out there before you can get that wench,’ she said. ‘Is this your child?’ I said as a flaxen haired boy came toward me....more
This week in New York The Rumpus throws an A Night Together with Sam Lipsyte, Michael Showalter, Lorelei Lee, Jeff Lewis, Jump-Off winners and more, Jamaica Kincaid and Rick Moody help collect Books for NY Schools, Richard Nash and Jim Hanas debate fiction and technology, Gary Shteyngart and Amy Sohn host a Shabbat dinner, Robert Coover reads, Etgar Keret talks to Ira Glass and Frederick Wiseman’s film Alabama Institute for Deaf and Blind screens....more
Rory McInnes, budding artist in search of attention from Google Earth.
And as long as I’m acting like a twelve year old, a Florida eighth-grader gets kicked off the school bus for toxic farts.
The Prime Minister of the Czech Republic was channeling AC/DC last week....more