Posts Tagged: Teju Cole
In an interview with Tobias Carroll for Men’s Journal, Teju Cole discusses his affinity for the work of writer and critic John Berger, and how that relationship has informed his own writing:
I think what we get from the artists, writers, musicians, photographers, and so on who we admire is a sense of encouragement or permission to go ahead and do whatever it is that was maybe latent in us already.
For The Awl, Maria Bustillos sits down for lunch with writer Teju Cole in Bali, where Cole recently spoke at the Ubud Writers and Readers Festival. The two discuss art, colonialism, and the role of the critical writer. Regarding the latter, Cole says:
What it’s our job to do [as critics] is to help create and sustain value for overlooked work… The question is not always about what people are paying $50 million for, but the stuff that is only fifty thousand, only ten thousand, and getting that stuff into the museum space and have it be what it needs to be, to write books about it, to get it in the syllabus.
If you’re going to spend so much time on social media, you might as well make art out of it. The Atlantic‘s Olivia Goldhill looks at the inevitable rise of maybe-joke, maybe-for-real Twitter fiction....more
This is a Lasgidi of the mind, representing a meld of many club nights in Lagos and alternate Lagoses through the past decade. It is a cauldron of that vertiginous self-confidence that anyone who knows any Nigerians knows well.
Put down the New Yorker—Teju Cole is here with his selection of Nigerian dance jams, ready to take you clubbing in Lagos....more
PEN America announced on Sunday their intention to honor Charlie Hebdo’s surviving staff with the Freedom of Expression Courage award at their May 5 Gala. The novelists Peter Carey, Michael Ondaatje, Francine Prose, Teju Cole, Rachel Kushner, and Taiye Selasi have withdrawn as hosts of the ceremony, claiming the French magazine promotes hate speech and racism....more
She sent me this photograph and wrote: I run across my own life as a dog runs across a field, zigzag. The search is endless. Then I come to a sudden stop. I stand and listen to the small movements in things.
For the New Yorker’s “Inner Worlds,” Colum McCann writes about his father’s writing shed, and Teju Cole shares his experience of watching (and rewatching) Krzysztof Kieślowski’s “Red.”...more
Teju Cole’s got a penchant for prose that lingers; over at The New Inquiry, he delivers once again:
When I have a nap or something, J.D. said, and I fall asleep (these words in English, all of a sudden, and not in French; but only these words), at that moment, in a sort of half sleep, all of a sudden I’m terrified by what I’m doing.
Teju Cole spent his summer in Palestine, just before the latest wave of hardship. Viewing the country through his camera lens proved more affecting than not:
Photography cannot capture this sorrow, but it can perhaps relay back the facts on the ground.
What’s the difference between an essay and a novel? Teju Cole considered that question in his 2012 essay, “The White Savior Industrial Complex,” writing that essays have points, while novels do not.
While Cole continues to stand by this essay, he admits that there are exceptions to this rule....more
Despite the publication this past year of behemoth novels like Donna Tartt’s 750 page The Goldfinch and Eleanor Catton’s 850 page The Luminaries, current trends increasingly embrace truncated fiction. MobyLives took the conclusion of the third annual Twitter Fiction Festival as an opportunity to look at short form horror fiction known as creepypasta:
This type of short horror fiction is often spread via screen-caps of messageboards or crudely pasted together in MS Paint in order to lend it a sort of underground zine-y authenticity.
Last week Teju Cole published a 4,000-word non-fiction essay on immigration, titled “A Piece of the Wall,” entirely on Twitter. BuzzFeed spoke with Cole about his decision to share the piece via the social media platform, the challenges in doing so, and his views on immigration reform:
I’m not getting my hopes up, but the point of writing about these things, and hoping they reach a big audience, has nothing to do with “innovation” or with “writing.” It’s about the hope that more and more people will have their conscience moved about the plight of other human beings.
This past Sunday Teju Cole reviewed in the New York Times Derek Walcott’s The Poetry of Derek Walcott: 1948-2013, selected by Glyn Maxwell and published by FSG. The book is over 600 pages and traverses more than 50 years with one of the world’s great living poets....more
Last year, we blogged about the first annual Twitter Fiction Festival after it happened. This year, we’re giving you a heads up: if you want to participate in this year’s festival, happening March 12–16, submit your idea to the organizers here....more