Posts Tagged: television
Cable television channel FX has purchased Meaty, a comedy series based on Samantha Irby’s memoir of the same title. Developed by Irby, Jessi Klein (head writer for Inside Amy Schumer, author of You’ll Get Over It), and Abbi Jacobson (Broad City, author of forthcoming Carry this Book), the show will focus on “failed relationships, taco feasts, her struggles with Crohn’s disease, poverty, blackness, and body image.”...more
Ultimately what is more real and desirable is showing savage, ambitious women rising from the ashes of a sexist society and becoming whole, instead of acting like dudes.
For Tabú, Antonia Crane writes about UnREAL, a Lifetime drama highlighting destructive, demeaning, and terrible working conditions for women, and how it subverts the male gaze by actively engaging in a kind of radicalism....more
NPR talks with the creators of Serial Box, a company self-described as the “HBO for readers.” Serial Box releases “episodes” you read over a 10-16 week season, in the hopes that readers will anticipate the next installment like they would the next episode of The Bachelorette, or binge-read a series after purchasing the complete box set....more
Now what’s… the big deal… about Seinfeld? Two decades later, the hit sitcom is still being referenced, watched, and loved by audiences around the world. Author and TV critic Jennifer Keishin Armstrong explores the great question of the show about nothing in her new book Seinfeldia....more
For The Millions, Mike Broida revisits David Foster Wallace’s Infinite Jest, arguing that the work’s claims about addiction and the media presaged the influence of “television culture” on the digital age:
The final “joke” of Infinite Jest is that the book is intended to be almost as endless and mirthful as the addictions it depicts.
At Slate, Laura Miller discusses the TV showrunner as novelist, focusing specifically on Noah Hawley. Hawley, showrunner for the FX show Fargo, has also published multiple novels, including Before the Fall:
By contrast, the flawed, struggling, conflicted male characters in both seasons of Fargo register as real people, despite the darkly farcical tone the series takes from the Coen brothers film that inspired it… Before the Fall shows Hawley to be far from oblivious to such concerns, but also so tangled up in his own ambivalence about the mastery and heartlessness of traditional masculinity that a lot of his readers seem to be missing his message.
For JSTOR Daily, Ellen C. Caldwell examines historical “memory-making” and our changing interpretations of historical events over time. Caldwell focuses on the 1746 Battle of Culloden, a battle that ended the Jacobite Uprising and decisively transformed the British monarchy and Scottish Highland culture....more
BBC One and Netflix are joining forces to produce a four-part miniseries of Watership Down. The new series intends to give the female rabbits a more prevalent role:
On the bright side, Aitken did announce the miniseries’ intent to strengthen the roles of the female rabbits, an element of Adams’ original novel that often garners criticism.
However unbelievable they seem, Nathan Fielder’s doomed interactions with small business owners on Nathan For You are all too painfully real. But in an economic landscape as cockamamy as today’s, they might as well be the work of fantasy:
Conditions are desperate enough, both Nathan and Tales suggest, to make money from poop.
Prestige dramas like Breaking Bad and The Wire have set the standard for narrative TV programming on streaming services and premium cable networks, but network TV is another story. The Atlantic reports that ABC fired its entertainment president over low ratings for critically acclaimed, diverse shows like Black-ish, American Crime, and How To Get Away With Murder....more
Upbeat YA protagonists are a far cry from the tortured figures we’re used to watching on television. Flavorwire’s Sarah Seltzer makes her predictions for Nancy Drew and Anne of Green Gables’s forthcoming return to the small screen:
Two iconic characters with sunny auras and relatively straightforward histories are about to be reimagined in the context of today’s dark, morally ambiguous antiheroes.
Rumpus Interviews Editor Ben Pfeiffer discusses the complete loss of hope in Anton Chekhov’s literary works, in relation to modern TV shows such as The Leftovers and The Walking Dead. Pfeiffer wonders why people have continued to, watch, read, and create these dark, despairing works when we already live in a world of tragedy:
…a dispassionate search for truth isn’t just one kind of artists’ quest — it’s also a habit one must cultivate.