Posts Tagged: television
Hi there! We’re the two brunettes who hate sex. Sara-Kate hates sex because it’s too aerobic—she once sprained her foot. She lives in Kips Bay, loves candy, and wears exclusively rompers. Elisa Jordana hates sex because she abhors the human penis and all its functions....more
Oh my god, I’m stuck again. A truck in the muck. A cat up a tree. An explorer in quicksand. Winnie the Pooh in the door of Rabbit’s house. Trying to birth a column and needing a Caesarean. Is there any horror worse for a writer than a deadline?...more
Cable television channel FX has purchased Meaty, a comedy series based on Samantha Irby’s memoir of the same title. Developed by Irby, Jessi Klein (head writer for Inside Amy Schumer, author of You’ll Get Over It), and Abbi Jacobson (Broad City, author of forthcoming Carry this Book), the show will focus on “failed relationships, taco feasts, her struggles with Crohn’s disease, poverty, blackness, and body image.”...more
Ultimately what is more real and desirable is showing savage, ambitious women rising from the ashes of a sexist society and becoming whole, instead of acting like dudes.
For Tabú, Antonia Crane writes about UnREAL, a Lifetime drama highlighting destructive, demeaning, and terrible working conditions for women, and how it subverts the male gaze by actively engaging in a kind of radicalism....more
NPR talks with the creators of Serial Box, a company self-described as the “HBO for readers.” Serial Box releases “episodes” you read over a 10-16 week season, in the hopes that readers will anticipate the next installment like they would the next episode of The Bachelorette, or binge-read a series after purchasing the complete box set....more
Now what’s… the big deal… about Seinfeld? Two decades later, the hit sitcom is still being referenced, watched, and loved by audiences around the world. Author and TV critic Jennifer Keishin Armstrong explores the great question of the show about nothing in her new book Seinfeldia....more
For The Millions, Mike Broida revisits David Foster Wallace’s Infinite Jest, arguing that the work’s claims about addiction and the media presaged the influence of “television culture” on the digital age:
The final “joke” of Infinite Jest is that the book is intended to be almost as endless and mirthful as the addictions it depicts.